NACHTMYSTIUM mastermind Blake Judd comments: “The pandemic, along with the many insane riots during 2020 opened my eyes. I thought, as a canceled person with nothing to lose, I’ll point out things with fearlessness and total conviction. It was that which this track became the point of origin.”

“Blight Privilege” track listing:
01. Survivors Remorse
02. Predator Phoenix
03. A Slow Decay
04. Conquistador
05. Blind Spot
06. The Arduous March
07. Blight Privilege

“Blight Privilege” connects NACHTMYSTIUM to its glory days — not as a nostalgic reminiscence but as a forward-looking continuation and next evolutionary step. If anything, this ninth album is marked by a maturity derived from experience and learning. Judd‘s often diabolically catchy tunes are sharper than ever and have lost none of their bite. This might be due to the fact that it is the first album of the USBM spearheads which Judd composed in a fully sober state.

Blake Judd has been open about his drug addiction. With “Addicts: Black Meddle Pt. II” the artist spelled it out clearly. This album came out in 2010 when NACHTMYSTIUM had already hit an artistic high. The Americans scored high praise in the international metal press. This opened the doors to the influential and prestigious festivals such as Inferno in Oslo, Norway and Roadburn in Tilburg, the Netherlands for them. Yet the cracks were beginning to show. The band was often plagued by internal trouble and lineup changes. Friendships, business, relations with fans, trust, and money also went down. People got burned, people got hurt, and few cared to ask themselves about their own role when dealing with someone who is suffering from addiction.

Blake Judd survived all of this, and kept coming back. Every downfall and relapse was countered by a fierce will to claw himself out of the hole again. Releases followed on announcements that the band was dead. The EP “Resilient” (2018) being the latest of these. Having gone through the crucible of sobriety and the pandemic, Judd added an element to NACHTMYSTIUM that he previously took great pains to stay in a safe distance away from: politics.

The album’s title “Blight Privilege” is a deliberate and obvious take on the concept of “white privilege”. Coming from rural America and in Judd‘s case the Midwestern regions in particular, this slogan has a different ring than in the big cities. As the artist explains: “There are large sections of this country where impoverished whites are just as poor as impoverished black or brown or whatever color of skin you care to name. Poverty affects all people and all places in the same way. For many of these poor, the notion of ‘white privilege’ causes people to hate one another, instead of the billionaire pigs that are orchestrating the multitude of crisis’ at hand.”

The first half of the album is a somewhat unexpected reaction to the current affairs of the last five years. It’s a warning to get prepared to live a different life in a different world and the coming fight to determine what that world will look like. What it is not, is taking any side on the partisan spectrum. The other half of the album is unrelated to this and describes Judd‘s life of the last decade, which includes his coming off the streets.

With “Blight Privilege”, NACHTMYSTIUM demand the throne of USBM back. This album clearly has the musical force and lyrical daring to do give credit to this claim. Love it or hate it, NACHTMYSTIUM have set a tall milestone with “Blight Privilege”.

Lineup:
Blake Judd – vocals, guitars, keyboards, all compositions, lyrics

Guest contributions:
Matt Thomas – console steel guitar, additional guitar solos
Ken Sorceron – bass guitar
Francesco Miatto – drums
Andrew Marksuzewski – about half of the lyrics