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IHSAHN shares new single 'The Distance Between Us' from upcoming self-titled album

Photo credit: Andy Ford

19-01-2024

Norwegian multi-instrumentalist Ihsahn (EMPEROR) will release his next solo LP, “Ihsahn”, on February 16 via Candlelight Records. The release will embody two melodically interlinked versions of the same album: one metal, one fully symphonic, both creating a cinematically influenced masterpiece that is simply, definitively titled “Ihsahn”. Ahead of the release date, Ihsahn has shared the LP’s third single, “The Distance Between Us”, which showcases to the more melancholic, spacious side of the release. Accompanying the track is a new video, a continuation of the conceptual storyline which has been spread across previous singles, “Pilgrimage To Oblivion” and “Twice Born”, all filmed by Shaun Hodson at Loki Films.

Watch “The Distance Between Us” below.

Ihsahn comments on the new track: “The first two singles were taken from the beginning of the conceptual narrative, generating the hubris and determination required. With this last single, we’re getting closer to the end of the story and hence both music and lyrics express a more reflective and melancholic perspective.”

Watch the previously released first singles from the album, “Pilgrimage To Oblivion” and “Twice Born” below.

“On average, I’ve been releasing a full-length album every second year since I was 16. And, you know, that has given me some opportunity to explore different options, so for my eighth full-length solo record, I thought, ‘Okay, how can I do what I do best, but also raise the bar tenfold?’ At the heart of what I do is black metal, extreme distorted guitars and screaming, but since the earliest EMPEROR recordings you’ll hear the keyboard parts influenced by classic soundtracks by the likes of Jerry GoldsmithJohn WilliamsBernard HerrmannJohn Carpenter and so on. So, I approached the writing with the intent to present the material in its full-blown metal expression, but also to arrange the orchestral parts in such a way that they would work independently. Somehow an attempt to write a soundtrack within the structures of the full production, allowing me to explore different, and sometimes contrasting, variations of essentially the same music. In the end I wrote all the music as a piano short-score and arranged it for a typical band ensemble and orchestra, accordingly, making sure everything interlocked.”

“Ihsahn” features Tobias Ørnes Andersen and Tobias Solbakk on drums and percussion, with Ihsahn‘s son Angell Solberg Tveitan adding additional percussion and violins by Chris Baum. Artwork was created by Ritxi Ostari.

Track listing:
01. Cervus Venator
02. The Promethean Spark
03. Pilgrimage To Oblvision
04. Twice Born
05. A Taste Of The Ambrosia
06. Anima Extraneae
07. Blood Trails To Love
08. Hubris And Blue Devils
09. The Distance Between Us
10. At The Heart Of All Things Broken
11. Sonata Profana

“Ihsahn Orchestral” track listing
01. Cervus Venator Orchestral
02. The Promethean Spark Orchestral
03. Pilgrimage To Oblivion Orchestral
04. Twice Born Orchestral
05. A Taste Of The Ambrosia Orchestral
06. Anima Extraneae Orchestral
07. Blood Trails To Love Orchestral
08. Hubris And Blue Devils Orchestral
09. The Distance Between Us Orchestral
10. At The Heart Of All Things Broken Orchestral
11. Sonata Profana Orchestral

Not satisfied to only create a dual-record, there is also a conceptual story which underpins both sides of “Ihsahn” — a pair of separate but interwoven Wagnerian narratives revolving around the traditional hero’s journey, and while Ihsahn is reticent to tell all, he is confident that meaning will soon emerge for listeners willing to show equal commitment.

“I’ve been honored to work with some astounding visual artists on this, who were all given access to my scrapbooks, music, lyrics, stories, mood boards, etc.” he says. “It’s been amazing to see how they’ve all interpreted the material differently, but still in a way that binds everything together.

“It’s a privilege that I get to make music and travel the world to play my music. And when I say this is subjectively my greatest musical achievement so far, it has nothing to do with ego or prestige, but rather to do with gratitude for the experience. Art taps into the metaphysical and the archetypes of our existence — it lets us experience loss, death, love; it prepares us for all of those things in some way. That’s the value, that’s the perspective I wish to create from.”

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