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KERRY KING: the official story of how 'From Hell I Rise' was made

Photo credit: Jim Louvau


SLAYER‘s “final” gig was on November 30, 2019, in the band’s Los Angeles hometown. But the night marked a new beginning for iconic SLAYER songwriter/guitarist Kerry King. The band co-founder wasn’t nearly finished; he had much more brutal and provocative music brewing, stages to dominate, heads to roll. King‘s sound and vision manifest in the 13 songs on “From Hell I Rise”, the first solo outing in King‘s four decades of slaying the metal universe. His particular brand of blunt power, incisive lyrical themes, and aural assault are finally unleashed on May 17, 2024.

The arrival of one of the most anticipated albums of 2024 — and one of the most eagerly awaited metal records ever — finds King beyond stoked. “It’s the best feeling I’ve ever had. There will be some faces punched in,” he says. The guitarist quickly addresses the most asked question: “I think people are going to compare it to SLAYER. I’m not afraid of that because I think it stands up to anything we’ve done in our history, musically, performance-wise.” That said, “There will be people complaining, ‘Why does it sound like SLAYER?’ And ‘why doesn’t it sound more like SLAYER? That’s just what people do.”

Joining the King crusade is a lineup that began with SLAYER drummer Paul Bostaph. “Paul‘s kind of like my (VinnyAppice to Ronnie James Dio,” King says. “I knew Paul wanted to be part of this since 2018. My initial plan was to bring (SLAYER guitarist GaryHolt, but then I thought I probably shouldn’t have any more SLAYER pieces, so that went Phil Demmel‘s way.” The band is completed by bassist Kyle Sanders (HELLYEAH),and in the much-talked-about vocalist spot, Mark Osegueda (DEATH ANGEL),a friend of King‘s since the early 1980s Cali thrash days. The lineup kills. From the instrumental entrée “Diablo” into the relentless, repentless “Where I Reign”, to the last cut, the statement-making, full-circle title track “From Hell I Rise”King and co. are in full control. Music and lyrics are very intentional, with song topics including war, women’s rights, current American politics…and one tune inspired by the SCORPIONS and HELLOWEEN-style riffs. (“That one, ‘Shrapnel’, was something super-indulgent for me, and it came out really cool,” he says.)

King was creatively satisfied in SLAYER, had no itch to go solo, nor was he dying to try genre switching B.S. But he very much felt the band he helped found called it quits way too soon, which is why “From Hell I Rise” sounds like it does, proudly not unlike SLAYER. “I was writing most of the music anyway, especially at the end. Things I wrote during SLAYER‘s lifespan are showing up on ‘From Hell I Rise’, which you’ll see later, on the next record.”

King initially worked up “From Hell I Rise” during the “Repentless” writing era. “When I was working on ‘Where I Reign’, it was funny because I was, like, ‘From hell I will rise!’ But then I thought, ‘Well, I can’t use that; I’ve already got ‘From Hell I Rise’. Then I figured, ‘What if one’s the intro, then you’re foretelling the future, which is the end song of the album?’ I liked that idea. I’ve never done anything like that before,” says King. “So that’s how that is. The first one goes ‘from hell I will rise’, and the last one says ‘from hell I rise’. It’s actually happening. I love that in my twisted mind.”

“Lyrically, I did ‘Residue’ and ‘Toxic’ when I had COVID, and I was stuck in my hotel room,” King explains. “It was when Roe v. Wade got shot down. I was just really pissed off. And ‘Residue’ talks about ‘mental retrograde,’ the silly things in politics in the last eight years, and all the nonsense going on in America. We used to be a lot more united than we are now.”

King‘s also not averse to putting a few not-so-hidden SLAYER Easter eggs on “From Hell I Rise”: “Lyrics dabble in my past because you got rain/reign. People will always put rain with me,” King says. South of heaven imagery — devilish, that is — may also be present. The song “Idle Hands” premiered via Rolling Stone, who raved about the “explosive, skull-rattling riff… Singer Mark Osegueda (DEATH ANGEL) narrates the return of King — “So begins my revolution/Violence spreads my retribution … ‘Till the end, idle hands do the Devil’s work.”

Osegueda is the first new vocalist King‘s been in a band with for 40 years, and his voice is well-known and revered. “I think a lot of people — namely industry types — were worried about him sounding too much like DEATH ANGEL,” King says. Those concerns proved moot. “I knew what we had; he and I worked really well together.”

Yet Osegueda‘s singing was so powerful and unique that King was momentarily uneasy: “By the second song Mark finished singing, I went into the studio and asked him, ‘Is this sustainable? Because I’ve never heard you sing like this. I want to make sure you’re not blowing your load in the studio and can’t reproduce this live.” Mark said, ‘I can totally do it.’ So I asked him again in about an hour. And again, in another hour. Then I figured, ‘All right, I guess he means it.'”

Producer Josh Wilbur (KORNLAMB OF GODAVENGED SEVENFOLDBAD RELIGION),who tracked “From Hell I Rise” at Hollywood’s famous Henson Studios in a little over two weeks, concurs. “Mark sounds like a fucking demon.” As for his first time working with King? The producer found the guitarist assertive and driven but easy to work with. “Kerry never comes off as a jerk or mean guy. But he knows exactly what he wants,” Wilbur says. “He’s very direct, but it comes from a place of confidence, not from a place of ego or anything else.”

Though the pandemic halted King‘s plans to write and release an album quickly, the process was relatively streamlined, even though King moved with his wife from SoCal to Las Vegas to New York during that time. But Ron Sandoval at Rev it Up Studios — who has “been there since day one” — had a lockout rehearsal space ready for whenever King and Bostaph wanted to work together. King traveled frequently to L.A. and rehearsed and worked up songs with Bostaph. The frequent but spaced-out studio time allowed the songs to breathe and progress. Pro Tools was always running, so every idea and rehearsal was captured, allowing the duo to maintain momentum.

King authored all the lyrics, mainly for logistical reasons. “I finished everything before Mark knew he had the gig,” he explains. “But that’s not to say he will or won’t write on record two.” Circumstances dictated that King sing on all “From Hell I Rise” demos. “I did scratch vocals on everything,” King says, adding, “I’m not a singer. I’m a guitar player. I’ve got conviction when I sing, but I have no range, and I need some distortion to help me out a little bit. There was always, ‘I got this if whatever we’re looking for doesn’t work.’ Luckily, we didn’t have to go that route.”

Osegueda was the only vocalist who tried out. “I would send him lyrics along the way, just to bounce them off my friend.” Then it escalated. “I said, ‘Why don’t you come in here, listen to my demos, and put ‘Mark vocals’ on them?'” King said. “Whenever he was in between tours, I’d say, ‘Hey, you want to come make these better? You wanna try these new ones?’ And we recorded. Paul did his stuff. Phil tracked all his leads; Kyle did all the bass. So, everybody knew how everything went, where the vocals and leads were, all before recording the album. That’s the first time in my life I’ve known that and done that.”

The fully realized process was a revelation for King. “It’s wonderful knowing where everything goes. I hear it all in my head, but I think the one who benefits the most is Paul, because he could actually hear the vocals. I think it’s probably the most luxurious time Paul has had with me, just knowing, not guessing, ‘Is this roll going to work?'”

So far, everything is working: Festival dates are booked; shows are set through fall 2024, with more being confirmed daily. King and company are ready to deliver. For an hour-long set list, the guitarist imagines a mix of “From Hell I Rise” material and SLAYER songs. “I’ve always planned on doing SLAYER stuff, concentrating on the songs I did or had a part in doing,” he says. “I think in the beginning, we’ll be playing three, four or five SLAYER songs.”

King‘s got freedom, boundless creativity and the band to make it happen. Rightfully proud of his SLAYER history, King‘s unafraid to both mine it and to simultaneously move forward. For instance, in the ultra-punk ’80s-vibe song “Two Fists”, lyrics include, “this fuckin’ ship’s about to sink / I think I need another drink.” “It’s not a stretch for me for people to see that I wrote that,” concludes King. “But it’s got punky type phrasing that might not be present in a SLAYER song, and I never would have written ‘I think I need another drink,’ in a SLAYER song, even though it has every right to be there.”

 “From Hell I Rise” biography courtesy of HER PR

SLAYER guitarist Kerry King‘s solo band played its first show ever Tuesday night (May 7) at Reggies in Chicago, Illinois. He displays 9 songs that have not been released at this stage.

The group’s 17-song setlist included six SLAYER tracks as well as 11 of the 13 songs that appear on King‘s upcoming debut solo album, “From Hell I Rise”, which is due on May 17 via Reigning Phoenix Music.

The setlist for the concert was as follows:
01. Where I Reign(live debut)
02. Toxic (live debut)
03. Rage (live debut)
04. Repentless (SLAYER song)
05. Two Fists (live debut)
06. Residue (live debut)
07. Hate Worldwide (SLAYER song)
08. Idle Hands (live debut)
09. Trophies Of The Tyrant (live debut)
10. Chemical Warfare (SLAYER song)
11. Everything I Hate About You (live debut)
12. Disciple (SLAYER song)
13. Shrapnel (live debut)
14. Crucifixation (live debut)
15. Raining Blood (SLAYER song)
16. Black Magic (SLAYER song)
17. From Hell I Rise (live debut)

In a recent interview with Metal Hammer magazine, King stated about the setlist for his solo band’s shows: “For this coming summer in Europe, we’re gonna do like nine or 10 tracks from the album and, depending on set length, fill it with stuff I’ve done — something I wrote in SLAYER or co-wrote. So nobody can say ‘he’s playing Jeff (Hanneman, late SLAYER guitarist) songs,’ because although I love Jeff songs and he was such a big part of my life, I don’t want to rely on it this year, this album cycle. At some point, I will play ‘Angel Of Death’, but there’s so many fucking faceless haters on the Internet, I don’t want to give them ammunition.”

All material for “From Hell I Rise” was written by the 59-year-old SLAYER guitarist, who was accompanied during the recording sessions by the rest of his solo band, consisting of drummer Paul Bostaph (SLAYER),bassist Kyle Sanders (HELLYEAH),guitarist Phil Demmel (formerly of MACHINE HEAD) and Mark Osegueda (DEATH ANGEL) on vocals. Helming the sessions at Henson Recording Studios in Los Angeles last year was producer Josh Wilbur, who has previously worked with KORNLAMB OF GODAVENGED SEVENFOLD and BAD RELIGION, among others.

King‘s debut solo album, “From Hell I Rise”, will be released on May 17 via Reigning Phoenix Music. All material for the LP was written by the 59-year-old musician, who was accompanied during the recording sessions by guitarist Demmel, drummer Paul Bostaph (SLAYER), bassist Kyle Sanders (HELLYEAH) and vocalist Mark Osegueda (DEATH ANGEL). Helming the sessions at Henson Recording Studios in Los Angeles last year was producer Josh Wilbur, who has previously worked with KORNLAMB OF GODAVENGED SEVENFOLD and BAD RELIGION, among others.

KERRY KING will be special guest on the upcoming LAMB OF GOD/MASTODON North American “Ashes Of Leviathan” co-headline tour. The six-week run will launch on July 19 in Grand Prairie, Texas and will wrap on August 31 in Omaha, Nebraska. KERRY KING will make the band’s 2024 concert debut in May, first at the Welcome To Rockville festival (May 9), followed by Sonic Temple Arts & Music Festival (May 16). They are also confirmed for Hellfest, in France, this Summer. 

This past December, it was announced that VIO-LENCE will return to the stage in April 2024 for a special eight-date headlining tour during which they will perform their classic 1988 debut album, “Eternal Nightmare”, in its entirety. The trek runs from April 5 in Cambridge, Massachusetts through April 13 in Chicago, Illinois. Support at the dates will come from EXHORDERDECEASED and MORTAL WOUND.

At some of VIO-LENCE‘s recent shows, the band’s touring lineup consisted of classic-era vocalist Killian alongside more recent additions, drummer Adrian Aguilar (EXMORTUS),guitarist Miles Dimitri Baker (VOIDBRINGERINTERLOPER, ex-RINGS OF SATURN),bassist Christian Olde Wolbers and guitarist Ira Black (VICIOUS RUMORSHEATHENMETAL CHURCH). Notably, those dates featured only Killian from the VIO-LENCE lineup that played its first comeback gig in April 2019 at the Oakland Metro in Oakland, California.

VIO-LENCE played its first show with Aguilar in February 2023 at the Whisky A Go Go in West Hollywood, California. Aguilar joined VIO-LENCE following the departure of Strickland.

Although MACHINE HEAD frontman Robb Flynn was part of VIO-LENCE‘s classic incarnation and played on “Eternal Nightmare”, he wasn’t approached about taking part in the band’s reunion.

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