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MARTY FRIEDMAN says he was initially angry' then puzzled and sad about MEGADETH's salary offer for 'Rust In Peace' lineup reunion

16-12-2024

Former MEGADETH guitarist Marty Friedman has once again admitted that money was a major motivator for him when he was approached about taking part in a reunion of the band’s “Rust In Peace” lineup nearly a decade ago.

The opportunity for MEGADETH‘s most celebrated lineup to regroup arose following the departures of guitarist Chris Broderick and drummer Shawn Drover in 2014.

Friedman had met with mainman Dave Mustaine and then-MEGADETH bassist David Ellefson at the 2015 NAMM show in Anaheim, California to discuss a reunion of the “Rust In Peace” lineup, which would have seen him and drummer Nick Menza back in the mix.

Friedman, who moved from America to Japan in 2003, opened up about his reasons for turning down the MEGADETH reunion in his autobiography, “Dreaming Japanese”, which was released on December 3 via Permuted Press. Reflecting on the “salary offer” MEGADETH‘s then-manager Ron Lafitte made for him to rejoin the band, Friedman wrote: “Let’s just say he wasn’t even in the ballpark. Hell, he wasn’t even in the parking lot for the ballpark. The amount they offered was right around the first salary I got when I joined MEGADETH in 1990. If I’d had any idea they would lowball me like this, I never would have met with them in Anaheim. Had I taken that offer, I would have been paid less in a week than I made in a normal day in Japan. I was stunned and angry and told them I couldn’t even consider it. I made a counteroffer, which was the bare minimum I could accept, and far less than I have received from any of the artists I’ve toured with in Japan.’

Referencing the fact that Lafitte floated the possibility of a MEGADETH tour with IRON MAIDEN as the first order of business after the reunion of the “Rust In Peace” lineup, Marty continued: “I was willing to take the financial hit because a reunion tour with MEGADETH opening for IRON MAIDEN could open doors for me again in America. And what followed could be a bigger tour than anything we had previously done. Even if they met my rate, the tour would have been a huge windfall for them. They easily could have agreed to that, and the reunion would have been on, but they said I wanted too much money.”

Friedman added: “I was happy with my career in Japan, doing what I loved, making real money without the kind of drama that comes with MEGADETH. They didn’t even acknowledge they had just lost their guitarist and drummer and needed me more than I needed them. When I got over my initial anger, I was puzzled and sad.”

Marty previously opened up about why the MEGADETH reunion failed to materialize in Mustaine‘s 2020 book, “Rust In Peace: The Inside Story Of The Megadeth Masterpiece”, which details the making of the iconic record “Rust In Peace”.

“My main thing was I’d be happy to do it, but I’m not going to take less money than I’m already making to do it,” Marty said in part.

“I’d been in Japan for more than ten years cultivating a career with solid rewards. I was making money not only for myself but also for my management and staff. My manager has been with me fifteen years.

“Everything was sound and solid professionally, and when the offer came up to all of a sudden join MEGADETH again, as long as I would not be making less money, I was ready to go,” he said. “But I was certainly not going to take a loss to join a band that, frankly, at that point, didn’t seem like they had too much to offer musically. A couple of members of the band had recently quit, and musically I hadn’t heard anything that they’ve done in a long time. I didn’t know about how relevant they continued to be in the music business. It wasn’t like MEGADETH was on the tip of people’s tongues, at least not in Japan. I had reached the point where people stopped immediately connecting me to MEGADETH and were talking about the things that I had done in Japan.”

According to Friedman, part of the reason he turned down the MEGADETH reunion is the fact that the group is largely seen as Mustaine‘s solo project, with members coming and going every couple of albums.

“Had it been more of a band situation and not such a one-man, Dave Mustaine-main-man party, I might have considered doing it for a little less,” Marty said. “But, at the end of the day, MEGADETH is so much Mustaine because that’s the way he engineered it. I didn’t feel that kind of camaraderie, the four-man diamond, THE BEATLESKISSMETALLICA. I felt like I would be going out there and tour and it was going to be Mustaine‘s big success. If I’m going to do that, I’m certainly not going to lose money to do that; I was doing great on my own in Japan.”

Mustaine told Loudwire that he was put off by Friedman‘s financial demands when the topic of a “Rust In Peace” reunion was broached.

Marty has a really successful career in Japan where he makes quite a lot of money,” Dave said. “And this is the part where I thought it was a little weird, where he said he said that he has to pay all his team while he’s gone instead of just himself. ‘Cause I thought we’ll pay you what you’re making so that’s switching horses in the middle of the river — it’s no big deal unless you fall off. And then when we found out that he wanted to sell his merch, his this, his that, his this, his that, then he wanted this crazy amount of money and he wanted to fly first class everywhere. I said to our management, ‘I can’t deal with this.'”

In a 2016 interview with the “Eddie Trunk Podcast”Mustaine confirmed that MEGADETH didn’t hold any rehearsals with Friedman while attempting a reunion of the “Rust In Peace” lineup.

Marty had sent some e-mails saying, ‘Oh, man, you know, the fans have this self-inflated importance of ‘Rust In Peace’ beyond what it really is. And I was, like, ‘Huh?'” Dave said. ‘So I didn’t know if that was a backhand to the face of the fans or not, but he had basically said that if we were gonna do anything, it had to be better than ‘Rust In Peace’. And he sent me over some links to some songs that he thought should be the direction that we were going in, and one of it was this J-Pop band with some Japanese girl singing, and I was, like, ‘Uh-uh. This ain’t gonna work.’ More power to (Marty for being into that stuff). Do what you want, Marty. He’s a great guitar player. But I’m not gonna sing like a Japanese girl.”

Menza was approached by Mustaine and Ellefson to replace Drover at the end of 2014, and he started working out new tracks with the band. But the plan collapsed after he was offered a contract he described as “very unfair.” A year and a half later, in May 2016, Nick died after suffering a heart attack during a concert with OHM: at The Baked Potato in Studio City, California.

Marty Friedman has shared a new single last month, “Song For An Eternal Child”, from his latest solo album, “Drama”, out since May 17 via Frontiers Music Srl. This track is accompanied by the album’s second music video.

Watch “Song For An Eternal Child” below. 

About “Song For An Eternal Child”Marty comments: “The second music video from my album ‘Drama’ reflects on a feeling that resonates deeply with so many of us — the inescapable sense that we’ve never really grown up. The same innocent, wide-eyed child I was years ago, discovering everything about life, is exactly who I still am today, and it seems I’ll always be that way. Directed by Takumi Osera, the minimalistic imagery in this video might even change the way you see yourself. I’m on tour NOW! Tix/VIPs and all info at www.martyfriedman.com.”

Marty Friedman has released the official music video for “Dead Of Winter”, earlier this year.  the second single from his most recent solo album, “Drama”. The track features vocals by Chris Brooks from LIKE A STORM and marks Marty‘s first solo single release featuring a vocalist. The clip for “Dead Of Winter” stars Skylar Erna, Internet personality and daughter of Sully Erna from GODSMACK, and is available below.

Watch “Dead Of Winter” below.

 

About the track, Marty had this to say: “The lyrics of ‘Dead Of Winter’ as well as the story in the video, both sum up the way I would like people to feel about my music in general– something that will be there to uplift you when the times are hardest and give you a tangible jolt of positivity to last until life inevitably smooths out.”

Watch the previously released “Illumination” below.

“Drama” was recorded in Italy. 

Skylar and Sully Erna represent The Scars Foundation, a charity devoted to starting conversations about mental health to raise awareness about the issues facing so many people in our communities today.

With the rise of suicides, bullying, addiction, abuse, and so many other challenges, The Scars Foundation is dedicated to providing resources and tools to educate and empower people on a global level who struggle with these burdens.

“Drama” track listing:
01. Illumination
02. Song For An Eternal Child
03. Triumph (Official Version)
04. Thrill City
05. Deep End
06. Dead Of Winter
07. Mirage
08. A Prayer
09. Acapella
10. Tearful Confession
11. Icicles
12. 2 Rebeldes (Dead Of Winter)(Spanish version)
12. Mirage (Guitar Karaoke Version) (bonus track Japan)

Recording lineup:
Marty Friedman – Guitar
Wakazaemon – Bass
Gregg Bissonette – Drums
Mika Maruki – Piano, Keyboard & Synth
Hiyori Okuda – Cello
Miho Chigyo – Violin

Vocals on “Dead Of Winter”Chris Brooks (LIKE A STORM)
Vocals on “2 Rebeldes”Steven Baquero Vargas
Bass on “Mirage”Or Lubianiker
Rhythm guitar on “Thrill City”Naoki Morioka
Keys and synth on “Sanctuary”Takuro Iga
Drums on “Thrill City”Chargeeeeee

Marty previously talked about his next solo LP in October in an interview with Chris Akin Presents. At the time, he said: “I’ve been recording my upcoming album for almost a year now. And it’s gonna be finished by the end of the year, and it’s gonna come out in the spring of 2024. And boy, it’s an ambitious one. But, of course, I say that every time. But every time I have to top the one that was before it, so the task keeps getting more and more insane. And right now I would say I’m about 75 percent done with that.”

As for some of the other projects he is currently involved with, Marty said: “I’m editing my autobiography, which will come out also next year. And also, I just did the most exhaustive instructional video series for TrueFire — the most exhaustive one they’ve ever done and the most exhaustive one I’ve ever done by far. It’s the deepest dive into just the way I see music, which apparently is not the same as how others see it. Not that it’s better or worse, but it’s just completely different. So for the first time ever, including any of my other instructional things, for the first time ever, I’ve really actually worked hard on it and created this thing. And I did it at the end of the tour, the U.S. tour that I did earlier this year, and now it’s just about finished. [We’re] just putting the last edits on and just about done with that. So, it’s kind of a lot of post-production work at this point.”

Marty‘s latest album, Tokyo Jukebox 3, came out in April 2021 via The Players Club/Mascot Label Group. The record, which was made available in Japan in October 2020, is the third in a series that began with “Tokyo Jukebox” in 2009, and then “Tokyo Jukebox 2” following in 2011. The trilogy presents Friedman‘s inspired performances to Japanese repertoire he’s chosen to cover.

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