TESTAMENT's CHUCK BILLY: why now is the right time to release memoir
04-06-2026
In a new interview with Denny Spinks of Rock N’ Roll Medicine, Chuck Billy, the frontman of San Francisco Bay Area thrash metal veterans TESTAMENT, spoke about his upcoming memoir, “Holding My Breath: The Two Testaments Of Chuck Billy”, which is due on November 10, 2026 via Permuted Press. Regarding why now was the right time for him to tell his story, the 63-year-old singer, who was diagnosed with germ cell seminoma, a rare type of cancer, a quarter century ago, said: “At first I was approached to do the book. I didn’t seek it out because I’m a private guy. I haven’t really talked about a lot of my younger years and a lot of that part. It’s always about the band and what’s going on with the band. And so I thought, looking back, now having the opportunity and looking back and talking about or reflecting, especially once I started doing the book and looking at it as really therapeutic almost, and especially thinking, ‘God, okay,’ I was — I don’t know — must have been 17, 18, staring at that BLACK SABBATH record wanting to… I don’t know if it was music I wanted to get into. Maybe I just wanted to be a celebrity, ’cause I was a sports athlete. I wanted either to play sports or be a musician — not necessarily lead singer. I could play guitar back then. But that was kind of it, and I was, like, ‘I would do anything in my life to be successful,’ even if I had to live to, like, 38. And that was kind of how it all started. And so that’s kind of when it all happened with my cancer diagnosis at 38. I’m thinking, ‘Wow, this thing that happened when I was real young is actually, coming to happen.’ Yeah, it’s just a trippy thing.”
Chuck continued: “When I started talking about writing the book, I thought, ‘Okay, well, shit, it’s trippy because there’s two mes, two Chucks‘ — the Chuck before I got sick and that whole years of starting the band up to that point, and then the Chuck that beat cancer and the band that reunited back together and started writing all these other records going forward was a different Chuck and different TESTAMENT.’ So it was kind of an interesting pivot point of my story, but I kind of look at it and go, ‘God, it all lays back on that 38 pact thing,’ and here, shit, and I thought it was gonna happen. It didn’t happen. But what happened was all these bands got back together, and, wow, what a trip. It’s almost like you took one for the team to get shit started again. It’s just this weird thing. So I thought it’s interesting, especially at a time now. I’m in my 60s, and I see so many new bands, so many promoters, ’cause they gotta find who’s next, who’s the next headliners, who’s the next generation. There’s a lot of traffic, a lot of shit going on, and we’ve had a great, successful 40 years, and we’re doing good and making great music. But I thought it was maybe an interesting time for me to kind of capture the story of the two sides of me and the two sides of the band. And especially the pivot point because the route I went to beat my cancer with the chemotherapy and the native healings with all the healers I went to was mind-blowing. And every time I tell it and think about it, the things I went through, it’s unreal to me almost. And I thought I need to document and talk about that. I’ve talked about it in interviews and stuff, but I thought I really need to lay it down in the book and go back to the beginning and how it all started before I met Charlie, the first healer. So it was just something, I think — it was the right time. I had time to do it, and it was the right time to do it. I didn’t know what to expect. I thought, ‘Shit, man, I don’t got two years to write this book. I’m gonna be busy as hell touring.’ But I had some help. I had a guy, David Erickson, help me out, and we talked on the phone every day for, like, three or four months, and just chopped it up. And that was — like I said, again, it was therapeutic, man.”
Asked if the book starts at the age of 38 when he was first diagnosed with cancer, Chuck said: “The book starts pretty much when I’m, like, eight months old. The whole premise of holding my breath starts when I was eight months old. That’s kind of where my story begins, and that’s kind of where the ‘Holding My Breath’ title comes from, and kind of is the theme that carries out throughout my life — in my personal life and in the business and in the band — that phrase of holding my breath. I don’t wanna give it all away, but that’s kind of what starts from then, all the way through, all my young years before I got into the band. And what I did to train and be in a band before I got into the band. It’s all those years. All the stupid, crazy drug years and stupidity and just dumb things we did when we were young, and all the dumb drug stuff we did and we survived. And that’s the part you don’t get interviewed about when you’re talking about the band.”
This is not your typical rock memoir. Structured as two interlocking testaments, the book traces the full arc of a life lived at maximum volume — and then something louder than any riff: the fight to stay alive. The Old Testament plunges readers into the explosive birth of Bay Area thrash metal, the formation of TESTAMENT, the rivalries, the brotherhood, and the reckless, glorious chaos of becoming one of the genre’s most powerful voices. The New Testament is something rarer and more raw — a frontman at 38, blindsided by a devastating cancer diagnosis, drawing on his Native American and Mexican-American heritage, spiritual healers, visions, and the fierce love of a metal community.
At the center of that community: the legendary 2001 “Thrash Of The Titans” benefit concert — one of the most galvanizing moments in heavy metal history — which rallied old rivals into brothers and helped ignite a genre revival while keeping Chuck Billy in the fight.
“This book is about two versions of me that are really just one story,” says Billy. “The guy who thought he was invincible, and the guy who learned how fragile life really is.”
Co-written with Dave Erickson, “Holding My Breath” delivers the unfiltered insider story of thrash metal’s rise alongside a deeply human account of mortality, miraculous recovery, cultural identity, and chosen family. It is, equally, a gift to lifelong TESTAMENT fans and to anyone who has ever faced the unthinkable — and refused to let go.
The book features a foreword by Rob Halford (JUDAS PRIEST) and an afterword by Randy Blythe (LAMB OF GOD) — two of metal’s most revered voices bearing witness to Chuck Billy‘s enduring legacy.
Billy is the powerhouse lead singer of TESTAMENT, one of thrash-metal’s original Bay Area legends since the 1980s. He beat cancer in 2001 and came back stronger, weaving his Native American (Pomo) roots into his life and lyrics. He has been honored with a California State Assembly recognition for his positive influence on Native communities, was part of The Smithsonian’s National Museum Of The American Indian’s exhibition, “Up Where We Belong: Native Musicians In Popular Culture”, and won “Best Music Video” at the American Indian Film Festival for “Native Blood”.
From the relentless stages of Bay Area thrash metal to the brink of death and back, “Holding My Breath” is the unflinching memoir of TESTAMENT‘s iconic frontman.
Raised in a resilient Native American and Mexican-American family, Chuck Billy forged his path through rebellion, raw talent, and unbreakable stubbornness — becoming the powerful voice behind one of thrash’s most enduring bands.
On an episode of The David Ellefson Show, in October 2025, TESTAMENT singer Chuck Billy once again reflected on his band’s first-ever U.S. arena tour, which took place in 1990, with JUDAS PRIEST as the headliner and MEGADETH as additional support. Billy said, addressing co-host David Ellefson, who was the bassist for MEGADETH during the aforementioned trek: “Well, I remember we just flew in from doing big tour over in Europe. And I guess the biggest memory is the band you played in. (Laughs) No offense, Dave, but the other Dave (Mustaine, MEGADETH leader)… I don’t know if you remember that tour… Because things were growing for us, we had ordered a brand new Voelker drum riser built on a riser. All these cabinets showed up, backdrops. And I don’t know if you remember, Dave (Mustaine) pulled them from us all on the start of that tour. He’d seen it and he said we couldn’t use all of that, so we couldn’t use our riser, backdrops and stuff. And my band nudged me on, because every day K.K. (Downing, then-PRIEST guitarist) or (Glenn) Tipton (PRIEST guitarist) would come in and say, ‘Hey, you guys good? You guys need anything?’ And (my bandmates would) be elbowing me, ‘Dude, say something, say something.’ I’m, like, ‘No, no, no.’ And then one day they went, like, ‘Dude, just go talk to Rob (Halford, PRIEST singer), please.’ So I went in there and I told Rob what was going on, and that day he was, like, ‘What? That is ending today.’ And he went in to production and said, ‘TESTAMENT gets everything up there. Get their drums up there, get their backdrops, get everything up there.’ And when we went on that night, I know Dave (Mustaine) was side stage by the monitors — not you, Dave; the other Dave — and his arms were crossed. And he was just having a fit that we were having everything again. And it was crazy, but that was the biggest start of that tour for us. ‘Cause things were starting to happen, and we were, like, ‘Oh, man, we just bought this big show to play for JUDAS PRIEST and MEGADETH, man.’ And in the end we got to use it, and it ended up being great and it was amazing.”
Billy added: “That was probably the highlight, opening up for… Myself, I played JUDAS PRIEST songs on guitar all through high school. They were my biggest heroes ever. And that tour was just like a dream come true for me.”
Chuck previously talked about TESTAMENT‘s 1990 tour with JUDAS PRIEST and MEGADETH during a September 2020 appearance on MACHINE HEAD frontman Robb Flynn‘s “No Fuckin’ Regrets With Robb Flynn” podcast. Billy said at the time: “For the PRIEST tour, we decided we were gonna spend some time on production. We bought a big, fancy Voelker Rack drum set. We bought two new scrims, full-on backline — the whole deal. Nice-looking show. And we get to the first show, and Dave Mustaine sees us have it up, and he says we can’t use it. So we had a little problem the first week of the tour.”
He continued: “I was pissed, because we just spent all this money, and those were the days when they were hand-painted backdrops — these backdrops were 15, 20 grand; they weren’t cheap then. So we were, like, ‘We’re coming out to represent. PRIEST tour in arenas, man. We’re coming out.’ But Dave threw his weight around and said we can’t use all of our new stuff. So for the first week, we were, like, tails between our legs, playing. And all the guys in our band said, ‘Chuck, you seem to be friends with Rob (Halford). Go in there and tell him. He keeps telling you guys, ‘If you guys need anything, just ask.’ Go in there.’ And I’d had it. And I said, ‘You know what? I’m gonna.’ So, I went in there. It was, like, three or four days into the tour. I go in the (PRIEST) dressing room. I said, ‘Hey, Rob. You got a minute? I need to talk to you.’ I go, ‘I don’t know who to talk to, but I’m gonna come to you. And if it’s your guys’ decision, hey, I’m down with it, but I thought I would just bring it up. We bought all this stuff for this tour to put on a nice show, and the MEGADETH guy says we can’t play, ’cause they said you guys wouldn’t let us use it.’ And he was, like, ‘What? Who said that?’ Right there, he went and got his tour manager and said, ‘Get in here.’ Rob said, ‘Do you know anything about this? Them not letting TESTAMENT not use their gear?’ The tour manager says, ‘No.’ And Rob goes, ‘You make sure tonight they get the damn gear up there.’ So we had a full-blown show. And who comes sidestage to watch the show? There goes Mr. Mustaine. Mr. Mustaine is standing there, just pissed off — he just had that look. And we were looking over just, like, ‘Oh, yeah. Oh, yeah, Dave.’ We were putting it on, throwing it down. And that’s how that tour started.”
Billy added: “This was, like, our first step into an arena: ‘Oh, man. Maybe we’re making it. We’re doing it.’ And to get shut down the first time, we weren’t having it.”
According to Chuck, it was a “great” experience touring with PRIEST for the first time. “They always came in the dressing room, every day, and said, ‘How are you guys doing? Are you guys good? Do you guys need anything?'” he said. “And we were just too shy to ask. We did find out that they really were who they were. They stepped up and made it happen, and we had the full show the rest of the tour, man — and full sound at that point too.”
Earlier this week TESTAMENT released “Shadow People”, the second single from the band’s upcoming album, “Para Bellum”, which is due on October 10 via Nuclear Blast. The official animated video for the song, was created by Freakshot Films.
Watch “Shadow People” below.
When “Para Bellum” was first announced in August, it was accompanied by the official music video for the LP’s lead single, “Infanticide A.I.”, directed by Joey Durango.
Watch the previously released “Infanticide A.I.” below.
TESTAMENT guitarist Eric Peterson stated about “Infanticide A.I.”: “When we wrote the song. I think it was like 12 at night and we were done for the day for jamming, and Chris [Dovas, TESTAMENT drummer] was at the house and we were watching [the 2023 horror film] ‘Evil Dead Rise’. And just within a half hour, I’m, like, ‘Come on. We’re going downstairs.’ And just the imagery of that.”
Added Dovas: “It just inspired us. We’re, like, ‘We’re gonna go down and write some evil music. Come on, let’s go.’ I think we were drinking some Jäger[meister] or something like that. And, yeah, I don’t know. We were just up really late. It was one of those nights where we were up till two, three in the morning just jamming, and it was kind of how that song was born.”
Eric continued: “I think a lot of movies, for me, visually, horror movies, I think that inspires me to write music.”
TESTAMENT bassist Steve DiGiorgio chimed in: “I always knew that was a strong one right out of the gate. I had a feeling it would be considered probably a single or a title track.”
TESTAMENT singer Chuck Billy comments: “The new album ‘Para Bellum’ consists of some fast, heavy and melodic tunes. Once again (TESTAMENT guitarist Eric) Peterson has found a way to keep the song writing fresh and modern sounding. It’s gonna be hard to choose what songs to play live cause to many to choose from.”
Peterson states: “It’s been five years since our last record ‘Titans Of Creation’ was released. Since then, we all waited to get back to it and we all did in a big way! Now our long over due new record ‘Para Bellum’ is upon us and about to be released in October. We are super stoked and excited to release new blood and fury to you all! With our first single ‘Infanticide A.I.’ we’re coming out swinging! But with new velocities of fury, while maintaining a balance that we all love and know from a TESTAMENT track. Enjoy!”
With every generation comes a great war. It may take years to fully reveal itself, but the seasoned warrior knows preparation is everything. Now in 2025, Bay Area thrash metal icons TESTAMENT return with their fourteenth studio album, “Para Bellum”. Taken from the Latin phrase “Si vis pacem, para bellum” — “If you want peace, prepare for war” — the album stands as both a battle cry and an observation of humanity’s uneasy alliance with its own creations. As technology accelerates and disconnection grows, “Para Bellum” sees TESTAMENT reflecting the modern chaos through music that’s urgent, sharp, and unflinchingly human.
“Para Bellum” track listing:
01. For The Love Of Pain
02. Infanticide A.I.
03. Shadow People
04. Meant To Be
05. High Noon
06. Witch Hunt
07. Nature Of The Beast
08. Room 117
09. Havana Syndrome
10. Para Bellum
Social media



