Tackling the challenge of creating a unique home-shot video during months of tour-less semi-quarantine, BELLER’s hyper-paced, withering satire tells the story of four characters with musical dreams – a nerdy accountant, a hipster douchebag, a cross-dressing keyboardist, and an aging rocker, all played by BELLER himself – grappling with creating content and the drive-by commentary of social media, all in an age of ever-increasing isolation and primarily digital existence. 

“When COVID hit, at first, I really had no idea what to do creatively,” says BELLER, social distancing from the city in his remote north Los Angeles County residence. “It was all such a shock, the sudden cancellation of everything, everyone stuck at home. So I thought, I’ll just wait and observe. Lots and lots of screen time, you know? And then I realized – as musicians, creators, and just as people, we’re all doing the same thing, aren’t we? So let’s tell a story about what humans try and do with that.”

The result is a frenetic and radical deconstruction of a typical play-through video. BELLER’s four characters play their parts in earnest as a critical chorus of social media commentary appears on-screen with near machine-gun frequency. Eventually the accountant, the hipster, the cross-dresser and the rocker all check their own social media accounts and read the comments, to their abject horror. The second half of the video then takes a hard metal turn before a plot twist brings the characters together for the grand finale…or does it?

“It occurred to me that we could create a phenomenon where the viewer, in real life, is watching this video, probably on a social media platform with the ability to comment, about characters performing and posting on a social media platform while people comment about them, and then they log on to their own social media accounts and read those typically horrible comments about themselves,” says BELLER. “It’s pretty world-inside-a-world meta, and more than a little absurd. But that’s where we are these days, aren’t we? All of us, spending too much time inside in front of a screen, doomscrolling and re-examining our lives? I figured, let’s at least have a little fun taking the piss out of all of it. And let’s make the video really fast, really crazy, really over the top and totally in your face.”

For that mission, BELLER turned to video editor ZZ Satriani (son of guitarist Joe Satriani, and editor/director of Satch’s 2016 tour documentary Beyond The Supernova). “I’m 49 years old, and ZZ is 28. The millennial take on video pacing is just completely different than your typical Gen X’er who grew up on old school MTV videos. It’s just so much faster, so much more dense, and I felt this video really needed that. I’d actually been a fan of ZZ’s work for a while. He really got the vibe I was trying to convey.”

Scenes From The Flood is out now, stream and purchase AT THIS LOCATION.