US progressive hardrockers STYX announce CRASH OF THE CROWN, STYX’s new studio album, which was written pre-pandemic and recorded during the trying times of the pandemic. The album will be out on Universal Music Group.

The legendary rockers–James “JY” Young (lead vocals, guitars), Tommy Shaw (lead vocals, guitars), Chuck Panozzo (bass, vocals), Todd Sucherman (drums, percussion), Lawrence Gowan (lead vocals, keyboards) and Ricky Phillips (bass, guitar, vocals)–will release their 17^th album June 18 on the band’s label, Alpha Dog 2T/UMe, which will be sold as clear vinyl, black vinyl, CD, and on digital platforms.

 The song “Crash of the Crown” itself breaks some brave new world ground for STYX. Actually, it’s the first cut in the band’s storied canon to feature three lead vocalists, seeing how it has James “JY” Young unleashed at the starting gate, Tommy Shaw heading up the heroic stacked-vocal middle section, and Lawrence Gowan leading the vocal charge for the final verse. “I’m always looking for the one different thing we can do and still have it be STYX,” the ever-ebullient Gowan notes, “and that’s the song I’m most proud of. The beauty of it is that it’s the culmination of all our talents crammed together into one song, ABBEY ROAD-style. I also got to use some gear I never thought I’d have the chance to play on a STYX record like Tommy’s Hammond B3 organ, my Minimoog, and my Mellotron.”

Efforts to record CRASH OF THE CROWN began in earnest at Shaw’s home studio in Nashville during the fall of 2019, with Gowan — STYX’s criminally minded showman extraordinaire and keyboardist/vocalist since 1999 — in the room together with Shaw and the album’s producer, Will Evankovich, as he conjured up the album’s first song to be recorded, with cosmetic flourishes that reign over the insistent, yearning call for togetherness, “Common Ground.” But the global pandemic that inevitably transformed the way we all wound up living in 2020 changed the course for how many of the band’s home-and-away recording sessions ultimately had to set socially distanced sail. Safety precautions took precedent for all involved STYX bandmembers and production compatriots with much diligent quarantining and testing required before any one of them could travel to Shaw’s tranquility homebase to spread the uniquely ingrained STYX stardust that’s been duly sprinkled across the album’s cosmically chosen 15 tracks.

Of all those who made the trek to Nashville, original STYX bassist Chuck Panozzo — who, along with his late twin brother, drummer John Panozzo, formed the initial nucleus of STYX when they began jamming together in their basement on the south side of Chicago in 1961 — is hands down the most effusive about the experience. “I’m constantly amazed at how Tommy’s songwriting continues to connect with the social consciousness that spans across generations,” marvels Chuck, who plays on “Our Wonderful Lives” and “Lost at Sea,” Lawrence’s all-too-brief aquatic fever dream. “Both he and Will have been able to tap into the core elements of the human condition, which is something that’s not going to change that much in 50 years — or even 500 years. That’s why STYX remains relevant after all this time, because we’re part of the human condition.”

Whether it’s the heady rush of the groundwork-laying opening track “The Fight of Our Lives,” the wistfully observational treatise of “Reveries,” the cautionary extended hand of comfort and redemption that frames “Hold Back the Darkness,” the undeniable uplift of “Our Wonderful Lives” (a beautiful sentiment further embellished by a most welcome, first-ever appearance by a banjo on a STYX album!), or the elegiac clarion call for shared grace in “To Those,” CRASH OF THE CROWN is music that is both concurrently of its time and truly timeless all at once. Although the official release date for this landmark album may be time-stamped as 2021, the omnisciently observational content of CRASH OF THE CROWN readily brings to mind an amalgamation of historical events that occurred in 1066, 1455, 1775, 1861, 1941, and even 2001 without citing any of them by name — Winston Churchill’s prescient wartime observations that permeate the pervasive pleas of “Save Us From Ourselves” notwithstanding. In essence, CRASH OF THE CROWN (or COTC, for short) is a modern-day sonic chronograph of the endless regenerative cycle of the rise and fall — and rise again — of our shared human experience.

“We’ve never been a protest band. We’re more like a gospel caravan trying to send out positive messages wherever we go,” observes CRASH OF THE CROWN co-creator and overall visionary Tommy Shaw, who joined STYX in December 1975 as a guitarist/vocalist and instantly became one of the band’s most important songwriters. “In order to share those positive messages, you have to look at what the problems are first to figure out all the ways you can help make sure everything’s going to be alright. That’s a very important part of how we do what we do.”