Australian guitarist and singer Orianthi (ex Michael Jackson, ex Alice Cooper) spoke to Guitar Interactive magazine about her upcoming album, “Some Kind Of Feeling”, due later in the year via Woodward Avenue Records.

She said: “I’m really excited. Yeah, this record came together really organically with my band. We recorded it at Robby Krieger‘s (THE DOORS) studio out here in L.A. So we went down to Love Street Sound. And Robby‘s such a legend and him letting us use his space was such a sweet thing and I’m really grateful for that. And I produced half the record myself and then had legend Kevin Shirley produce the rest of it. So it was really cool. And I got my band in there, and it was, honestly, really easy — really fast, really easy. Most of the tracks have a really live feel to them, because they are pretty much live. We probably cut them three or four times and then chose the best one, and then added some backgrounds and whatnot and a few fixes and whatnot, but ultimately what you’re hearing is very live, and I wanted to keep it that way.”

Regarding the decision to title the album “Some Kind Of Feeling”, Orianthi said: “Everything was kind of going on a feeling. Every song is sort of a little different, like from ‘Ghost’ to ‘First Time Blues’ to ‘Some Kind Of Feeling’. They’re kind of a little different-sounding — not style-wise, but sort of in a way. Like ‘Some Kind Of Feeling’ sounds Motown — it’s sort of like blues, country, pop — and then ‘Ghost’ sounds like a pop ballad, and then you’ve got ‘First Time Blues’, which is like kind of rock blues. So I don’t know. It’s kind of like every song is going on a feeling. And I think that that kind of title sums it up somewhat.”

Asked if she enjoys working with outside producers, like Kevin Shirley, or if she prefers doing everything on her own, Orianthi said: “I produced my first record, so I learned how to produce and engineer when I was really young. So, I kind of wanted to do it again. And I love doing a lot of stuff here myself. And even when I’m in the studio working with different producers, I kind of do sort of co-produce; I’m very hands-on, like, ‘No, I want my tone like this. No, I wanna re-sing it like this.’ I’m kind of bossy in a way, so it has to be the right producer to work with me, because, unless I really respect them, I’m not gonna trust them, if that makes sense, to really make a record. I don’t wanna waste my time or their time, us going in together, because otherwise it just feels like… If it’s not gonna be the right fit, I kind of know straight off the bat, like when I meet them for dinner or drinks or whatever, and we chat about what we’re gonna do, I know if that person is the right one to produce my record — not only from their body of work from what they’ve done before, but as a person, their personality, they’ve got to be very alpha because I am. They have to be really opinionated in the sense of what they’re looking for, and that way there’s no wavering. It’s, like, I want them to tell me … ‘We need to do this. We need to get this miked this way. This drum sound needs to sound like this.’ I love that in a producer. I need that sort of situation.”