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Crownshift – Interview met Daniel Freyberg (guitars)

Daniel Freyberg: “Influences are pretty much everything I hear. I don’t want to name certain bands or artists, but there is obviously a lot of outside the metal as well. It is a long list.”

Het startsein is gegeven voor Crownshift, een band met Finse coryfeeën uit de metal scene die elkaar gevonden hebben in deze nieuwe band. Het zelfgenaamde debuutalbum valt onder de noemer melodieuze death metal, maar gaat veel breder dan dat. ‘Crownshift’ is dan ook een eerste manifest van hun kunnen dat variatie en vakmanschap etaleert. Het is altijd boeiend om over het ontstaan en de eerste stappen van een band te praten. Dat deden we in dit geval uitgebreid met gitarist Daniel Freyberg, die enkele jaren terug nog gitarist in Children Of Bodom was.
Vera Matthijssens Ι 14 mei 2024

A new band has engendered and I was looking forward to it, because you all have a proper past in several bands. How did this band Crownshift come into being (because I know that you have all been in Norther)?
Yes, we have a history with Norther, the band with Petri Lindroos as singer. It were the final stages of Norther, when me and Jukka (Koskinen – Nightwish & Wintersun – Vera) started to talk about that some day we would do something together, because the three of us clicked very well. We liked similar music and so on. That ‘some day’ has now finally arrived. It took a little while, but here we are and along the way Tommy (Tuovinen – MyGrain – Vera) was also one of my old buddies and I had several conversations with him that we probably were going to do something and we wanted to try him as vocalist and would he be up to that. He was always very interested and when the day finally came that we had something on tape, I just called him and asked: ‘now we have some songs, would you come here and try a couple of songs together and we’ll see from there’ and it went super well. We had totally the same page on everything.

Interesting indeed, in the past I reviewed MyGrain…
All right! MyGrain and my old band, we used to be at the same record label. That is how I got to know Tommy. I have a long way back with him as well.

That’s nice. Melodic death metal is of course a wide umbrella for a lot of things, but you also insert elements of other genres in your music. Can you tell something about that?
Influences are pretty much everything I hear. I don’t want to name certain bands or artists, but there is obviously a lot of outside the metal as well. It is a really wide list, a long list (chuckles).

If you like music I think it is only natural to check out other genres than metal…
Yeah and sometimes you can find surprising things that you would not find in metal from other genres. You can hear different sounds, like electronic music has quite a different pattern than sounds in metal and so you can absorb some influences from there as well.

Did you also play the keyboards on the album?
I did a little, but most parts are programmed. I am not a super well keyboard player, but I can play a bit. Basic things.

I guess you are the main composer. At what time did you start writing songs for this band?
I don’t have any certain point or year. It is a mix. I wrote these songs during many years. Some of them are older and some of them are recent, but it is always like a mix when I write. I write music all the time. Sometimes I go to my sessions to see ‘ah there is this cool riff’ and I never found any place for that riff until… sometimes it takes five years, sometimes ten years, sometimes straight away. I do a lot like separate riffs or melodies in my hard drive sessions. I don’t even know when I have written some parts. That is a very difficult question.

Do you have any rituals or a favourite cabin or studio when you write or can it happen everywhere?
It can happen everywhere. Obviously I have my home studio set up, but I also wrote music when I was touring with Children Of Bodom. On my phone where I stored a lot of good riffs and melodies. You don’t have to have like a high tech gear necessarily as long as you have some kind of recorder otherwise I tend to forget those.

When did the other guys come in sight composing wise or is it a matter of strictly you?
Usually I compose the basic song with guitars and programmed drums, sometimes bass also and then I send those tracks out to the other guys and I said to them: ‘if you have some ideas, just throw them’ and when we were rehearsing those parts, they came to my studio and we would record them and they came up with their ideas or their interpretation. So there is a lot of arrangement tweaking in the recording.

You also recorded the album and you were the producer…
Yes, this album I recorded also and produced it. It was quite an experience. We did not have any studio booked – except for the drums – everything else we did in my home studio and the mixing of course was outsourced. So there was freedom to be a little bit more creative in the recording process, because we did not have to worry about having not enough time or something like that.

How long did you eventually work on it, recording?
Ah that is another difficult question, we did this over many years. We did it whenever we felt like and when we had time. Obviously that took quite a while, because there wasn’t any deadline (chuckles), so it can also be a bad thing.

When did Nuclear Blast pop up as label? Of course COB was on Nuclear Blast, but when did you introduce the band let’s say?
I think it was 2021 or maybe 2022. Somewhere around that. It was funny, because the artist relation representive at Nuclear Blast used to work in Century Media and we worked with him with Norther. I think he was just prior by Nuclear Blast after COB break up. It was kind of a nice coincidence and surprise.

In the lyrics should be a story. What can you tell about that story?
There are several different stories. There is not any one theme or anything, but it is just a reflection of what we have experienced or sometimes they are like pure fiction as well. Most of the themes are like self-battle or transformation and stuff like that. It is just our way of writing those things. Usually I let the listener figure out the lyrics, because it can mean many things.

I have the impression that the album starts with two very heavy songs and then we have the list of singles and they are a bit more catchy…. Do you agree with that?
Yeah, the first one is quite a hurricane, a bit progressive, but it just felt like an opening track. We didn’t thought about ‘is this catchy enough’ or ‘is this short enough’, it just felt like ‘this is the opener and we are going to go with that’. The track list is always tricky. There are always some songs that do not necessary fit in place right away, but I think nevertheless that it is a good track list now. There are some not so aggressive songs in between like ‘My Prison’ and ‘Mirage’ which is like a break to take a breathe. And then there is the closing track ‘To The Other Side’ which is quite epic and adventurous as well, so there is quite a spectrum of different styles on one album.

What is that long occluding track about?
Well, that is about transformation lyrically and it was a huge challenge to write that. There is a lot of stuff inside those ten minutes. You can write so many different tracks despite how long they are and there is a lot happening.

How much do you notice influences from former bands of you or the other members in the songs and in the music of Crownshift?
It is something I don’t really think about too much, but I guess the listeners will notice some similarities, but I don’t really think about it. I don’t try to hide it, but there’s probably a lot of similar stuff that I have been involved in the past, but I think there is also a new twist, a new sound in the mix which is cool. Usually I just let the listeners decide.

I would say it is a bit more modern in production… also in the vocals, a bit of a modern touch…
Yeah you are actually right. It has a different kind of non-Finnish sound. Maybe a little bit more of an American kind of sound than Finnish sound.

Was that done on purpose, having a more American sound?
Well, I was not thinking like ‘we should get an American sound’, I tried to achieve the sound that I heard in my head and we were figuring out who would be the mixing guy who had this sound or could do this kind of sound. Then we luckily found a guy in Finland who is a kind of new school guy. He hasn’t been around that many years yet, but he did an excellent work with mixing that album and we are so happy that we chose to work with him. His name is Rami Nykänen.

That is a name I don’t know…
Yeah firstly we were thinking about these established guys in Europe and we actually tried with a couple ones, but it just wasn’t the right sound for us this time. We had to approach this from a different angle.

How did you actually get into music as a kid and into playing music, not only listening?
Oh okay… now we go way, way back. I started playing guitar when I saw some Guns ‘N Roses videos on MTV, so that kind of triggered my guitar playing. That’s how I started. I was like a boy in a small village, none of my friends played anything. When I saw that video, I was like: ‘I want to be that!’

I want to be Slash…
Yeah, I want to be Slash (chuckles) exactly. The passion never went away, so it stayed.

You should be proud on that. You already reached a lot, playing with several bands. That means it comes from the heart…
Yeah absolutely. It should come.

What do you find the easiest and the most difficult thing in being a musician?
Oh my God… Easy… I don’t know, that is a very difficult question (laughs). I think the industry is a little bit tricky right now. And the whole world economy is difficult right now, which reflects in the music industry as well. Touring, everything, prizes are going sky high. Bus costs… everything for touring is very expensive. So that is probably a down right now, one of them. And easy… I don’t know. It is not really an easy business, you know.

But aren’t you not a bit proud on what you achieved, in despite of difficulties and problems? Are you satisfied that you have chosen this job?
Yes, of course! It has given me so much and I would not change a day, in despite of what happened or not happened. It has been an adventure and it is still what I want to do, but as an industry it isn’t the easiest one to make it. It was already tricky before covid-19, now it is like super hard. Everything is cut down. That is unfortunately the way it goes.

Well, most important is that we are still in quite a safe place without war (as long as it remains)…
Yeah that is true. I am grateful for that. There are much bigger issues in this world than our touring budget.

What can you tell about the video clips?
We worked with the same director who used to do COB and Bodom After Midnight videos. It was once again really great fun to work with him and his crew, especially the lightening set up is quite unique. Videos are always fun to do. That is the easy part of this, as long as you are able to work with pro guys. Living is easier with pro level guys.

Then you are comfortable with Nuclear Blast…
Yes exactly. They have a good and long track record and quite a few bands. I don’t think many bands have ever left Nuclear Blast. That speaks for itself.

It is mentioned: ‘This is not a side project. This is a real band’. Is that possible for everybody in the band?
Yeah we have talked about it and we all want to support this band. Now it looks some of the bigger bands that you are referring to, are going to take a break and they are not going to tour, so there is plenty of time to push Crownshift forward and even if some of these bands would activate, we are going to do it anyways and we have a plan B for that. As far as it looks, we don’t have to use that though.

Wintersun is not so active – to say the least – but it seems that they will be coming up with the second part of ‘Time’ album…
Yeah, I don’t know what they are planning but let us just say that one of the reasons why we formed this band is that we want to be more active and we want to have more control how active we can be. We tend to be active in future.

The first concert of Crownshift will be at the 15th of May in Tavastia Club in Helsinki. I guess you look forward to that and are rehearsing now?
Yeah we are and we are looking forward to that, because it is going to be a special one. It has actually been quite a while since I personally have been playing live shows. It’s goddamn three years already. Last time we played with Bodom After Midnight was in Tavastia. It is going to be quite an emotional return to Tavastia. We are really looking forward to that.

But Bodom After Midnight does not exist anymore for a long time I think…
No, pretty soon after Alexi passed away, we decided not to use the name Bodom anymore.

Are there plans for other gigs or other plans for the future?
Well, as for music videos I think… we already had three and I don’t know… let us see… there might be one more, who knows? Maybe not. We have a lot of Summer festivals coming which will keep us quite busy in the Summer and it has been really amazing how people have showed interest towards Crownshift. Now we are talking a little bit about the Fall. There’s a couple of options there, also for a bit longer touring, but let us see what happens.

Is it your profession?
I don’t do anything else besides music at the moment. That is my main focus.

What about the artwork? Who did it?
It is a guy named Rami Mursula. A Finnish guy. He’s been doing Apocalyptica. HIM or Ville Valo (I don’t remember), but he is a very professional, talented guy. We really love his artwork.

In the meantime I wish you good luck and have a nice evening…
Right back to you!