Omnium Gatherum – interview met Markus Vanhala
Markus Vanhala: “This must be the most catchy or easy-listening Omnium Gatherum album since the beginning. OG for dummies in lyrics and music.”
Zopas verscheen het tiende studioalbum van de Finnen van Omnium Gatherum. ‘May The Bridges We Burn Light The Way’ verrast met zijn rechtdoorzee aanpak; zodat we onszelf na enkele luisterbeurten al betrapten op meezingen. Dat staat vast garant voor succesvolle tournees de komende tijd en de melodieze death metallers laten daar geen gras over groeien. Voor het zover is, schoven we aan bij componist/gitarist Markus Vanhala die er – zoals meestal – een druk werkschema op nahoudt, maar intussen honderduit praat over de nieuwe worp.
Vera Matthijssens Ι 11 november 2025
How are you doing?
I am fine (laughs). I have been extremely busy, because this whole Summer, forming a new band while I was already busy with Omnium Gatherum and Insomnium, is not that wise, but it has been a crazy busy summer and we are doing very well in the US with Cemetery Skyline. Last weekend we were in Romania with Insomnium and now I have a little bit of time off. I am going to celebrate that next weekend with playing in my local pub with an Ozzy Osbourne tribute band. So that is free time for me, business as usual (chuckles).
Oh yeah you are like an octopus…
Yeah busy playing guitar… I like playing guitar, because I do it all the time.
The previous Omnium Gatherum album ‘Origin’ came out in 2021 In the meantime the pandemic is over and at that time there was a new line-up and struggles with the old one, covid-19 was still going round. Everything is back to normal a bit in the meantime…
Indeed, because I think, as this is the tenth Omnium Gatherum album, but it is only the third time that two albums in a row have exactly the same line-up. ‘Origin’ and the new album have the same line-up, so nothing has changed which is very nice. Of course, when we did ‘Origin’, there was this pandemic and the world was really strange. Nobody knew what was going to happen. Luckily when everything opened up, we could tour a lot after ‘Origin’. We actually did like three European tours and three North American tours after ‘Origin’, so we toured quite a lot and all the other stuff of course, like Asia and Finland and stuff like the festivals. Now when I am thinking about it, it has actually been very busy with Omnium Gatherum, also after the previous album. Of course there was like a four year gap with this album, which is the longest gap we have had between two albums, but we released this ‘Slasher’ EP in between which was like a middle work. There was a new song on the EP that was kind of a pathway to the ‘May The Bridges We Burn Light The Way’ album. After ‘Origin’ was ready, I felt that the album a little bit lacked fast songs. It was mostly middle paced songs. Some of them were quite epic with a lot of layers and clean vocals and then ‘Slasher’, the song, was a lot faster. The idea for this new album was, since it is the tenth album, it has to summarize somehow the whole career and we are still a death metal band, it is about kicking people’s ass, We did quite a short album: nine songs, forty minutes. I remember some albums were quite long. We wanted energy and faster songs than on ‘Origin’. We concentrated on arrangements and really make them efficient. I was throwing a lot of stuff in the trash bin when I composed this album and I edited these songs a lot, so that all the bullshit parts went away and leave the songs in their draw form. This album is quite fast paced.
There is also a kind of ‘walking through memories’ when it comes down on lyrics. I know that singer Jukka is writing the lyrics, but there should be a going back to the beginning and the essence such as the street corners you grew up at and metal and dreaming about a career in metal. What can you tell about that?
Jukka always has a lot of meaning in his lyrics, but in the past they might have been a bit too philosophical and meanings were hidden for people. All the people were not getting what he is singing and I asked him to do like a really easy kind of concept for this album, something like Omnium Gatherum for dummies, because the music is also like Omnium Gatherum for dummies. This must be the most catchy or easy-listening Omnium Gatherum album since the beginning. Jukka wrote his cool concept about streets and how everything happens from streets and rises from the streets and different kinds of characters that are in the street, like the good and the bad and the poor and the rich and then we linked that to our teenagers, because it is the tenth album and the band was formed in 1996. This links highly to the nineties. ‘Origin’ was Omnium Gatherum’s eighties Miami Vice album, this album is highly having a nineties nostalgia and kind of like when we were kids and teenagers in the nineties, everything happened in the streets in our lives. There were no cell phones and there was no computer. We were playing in the streets and when we got older, we did skateboarding and driving in the streets with racing cars and most of all visiting your friends in the streets. This is a celebration for our teenager years in a way.
It must make you nostalgic…
Yeah and the title tells it, that you cannot please everyone. It is said in the street language, because the older you get, the more people you get pissed out, if you want it or not. Some people just piss you off and then you have to get rid of them, and may it light your way and go further and don’t stress about them or about yesterday. Forget all this bad news and bad people and just don’t care. Empower you through these bad memories and stuff.
That is a smart vision. It is better to leave someone behind and look to the future, even though it is difficult sometimes, because as humans we have all these emotions, but letting go and leaving behind is a solution sometimes…
Since 2020 people seem to be very easy upset. If you want it or not, aim it or not, but many, many people are upset and there is nothing you can do, so may it light your way when you are marching ahead. Most of them are lost in the big space, which is lost in the internet, which is not real. You see a too nice view of the world, or too bad view of the world. In one second everything is at your attention, that is not always a good thing. There are a lot of good things in that, but it also makes people crazy.
When you grew up, was it in a town or in a rural area?
Not in the woods, even though Finns are forest people (laughs). It was in a small town, Karhula. I am still living in a small town Kotka. It is only 50.000 people. So it is not a tiny village. In Finnish standards it is a normal town, but there is a difference with Helsinki. I like the nice easy lifestyle here and if I want to get some business in my life, it is one hour to Helsinki and there I have everything. Especially when you get older, you need your space and silence. I am still living like in a city suburban, but it is a five minute walk to rural area, 15 minutes walk to Baltic Sea and five minute walk to forest. I am in a city downtown and there is enough space to dwell with my dog in the forest and get my crazy racing cars on my yard.
I remember both cars you had, still an important feature in your life…
Yes. It is something completely different from the music. I finally got another all time favourite muscle car from 1970. That is the badass car from all the movies. That is the third one I have now. I collected guitars and vinyl before, but I was getting bored, so it seems I am collecting old cars now (chuckles). Now it is a Dodge. Very old car, even older than I am.
These are the best. We still have Opel Kadett. It is from 1981…
My year model! I am from 1981.
Cannot be coincidence. For the recording process I think you wanted adventure, because I remember in the past that it was always Dan Swanö and Teemu Aalto. Last album you switched, and now you went to Sweden to work with Bjorn Strid for the vocals…
All the vocals were recorded in Sweden. So I did all the clean vocals and Jukka did all the growlings. Me and Jukka, we travelled to Stockholm to Simen’s studio. Simen is the guitar player of Soilwork and Björn was producing the vocals for Simen. We were one week there and we had a lot of fun with the boys. Great times, they had great visions. Björn is a great producer, I have always admired Björn’s work in Soilwork and The Night Flight Orchestra. He is a great singer and great guy. We just got some Stockholm vibe for the album, we went to bars and restaurants and seeing gigs and meeting some Swedish metal legends and even went to this Entombed Cross. And then Jens Bogren again mixed the album. He captures the OG magic quite well, and then the rest of the stuff was recorded in many, many places in Finland, different people. For instance Juho Räihä from Swallow The Sun, my really good friend, he again recorded my guitars. I have been working with him, I guess this was the fourth album. He knows what I am after and we have a real good chemistry. We are old friends. It is easy. It is more hanging out with a friend, than recording an album.
Recently I had an interview with Tuomas Saukkonen and he admires you a lot. In Before The Dawn he is the drummer only now and in the other bands he is playing guitar. He thinks on tour it is even easier to make that switch to another instrument live than playing two times guitar like you do…
(laughs) I don’t know about that. Tuomas is a crazy guy also. I have known him for years. It was actually 25 years ago, he organized Omnium Gatherum’s first gig outside our hometown. So our story goes really far. He does a lot of projects, he is doing a lot of albums. We are kind of like soul mates in that sense. We always have more than one band at the moment and I guess we are restless metal souls who need different kinds of outlets to do music or otherwise we get bored.
There is also one instrumental song on the album, the last one called ‘Road Closed Ahead’…
There are two, because the intro also.
Oh yeah that is true. Why no vocals there?
(chuckles) I am still ancient also in that kind of sense. I like to think about albums as a whole. I hate this nowadays culture, a culture when people are streaming the albums and they don’t listen to whole albums. I want to see albums as a whole. They are some kind of dramatic story. It has to be like a beginning and the ending and some drama in between. I always think about a song as a chapter of a TV series or a movie. So it has to have some rhythm and drama, so that is why this intro starts with a bang on the album. It must open the album and work and then the outro is kind of taking you already away from the album. The outro is the symbol of the easy and complex soul, a sleepy kind of thing. It kind of closes all these roads that we have been telling stories about on this album and it ends in total silence. You can imagine if the driver drives to a wall and dies. It is a dead end. That is a way to get people away from the album, just like ‘snap’.
There is some rebellion and brotherhood in the song ‘Ignite The Flame’, isn’t it?
It is about believing in what you do, just like igniting the flame or something you love and something you are ready to fight for. You can decide what flame you are going to ignite, just like a celebration of life or something that you are interested in. The ‘let’s do it’ kind of song.
I see that you have a lot of tour plans, coming very close now…
Indeed (laughs) I noticed it too. When I saw the dates, I was like ‘aargh, that is a lot sitting in the bus again and flying’, but that is the story of my life. Cursed to be on the road, but I still love it, so… being away from home and family sucks of course, but we have to play tunes for the people and that is why we do the music, because it would be boring if we would not play these songs for the people, because that is the essence and we of course learned it the hard way, because during the pandemic we could not play these songs. People were thinking: ‘can I ever play again?’ so now we respect it even more in a way. We have now a headliner North American tour lined up, it starts in one month and we have a Finnish tour and after that we have an extensive European tour. We have really cool support bands, In Mourning from Sweden that just released an amazing new album and then Fallujah, more technical metal from the USA. So it is going to be a cool line-up. We have at least two or three shows in Belgium and Holland and even in Luxembourg by the way.
I am a bit proud that Belgium was one of the first countries opening up after the pandemic…
Yes, I think Alcatraz festival was the first one we played. That was even when there was still pandemic time. It was insane to see during that weird time, because it was like a festival, 12.000 people or something. It was like a view of an old world, we were almost crying when we saw that it was actually happening.
To occlude one sentence about the plans with Insomnium and Cemetery Skyline…
People have been asking me a lot about Cemetery Skyline: ‘was this only one album?’, but definitely not. We have been enjoying this way too much, so we are already writing a new album. We are going to play more shows and do the next album and it is so much fun to play with your old friends. Different kind of music, but it is going well. And today I have been writing songs for Insomnium. That will probably be the next studio session I will have, the next Insomnium album, thus busy times composing wise ahead of me.



