Four sessions only, to create these nine monstrous tracks? Wow, how do you do that?
You know what it really is, it’s discipline and the fact that we’re not beginners. We all bring a certain level of history and experience to this band the we rely on each other. Because everyone is an expert in their field.

’Something Wicked Marches In’ was recorded in England with producer Jaime Gomez Arellano, who also did excellent work for Paradise Lost and Sólstafir recently and now also for VLTIMAS. What made you guys decide to go to England and specifically to Arellano to record your album?
Well, at this point, personally speaking, I recorded all over the world, so it doesn’t necessarily matter to me where it’s recorded. Because I am going to do whatever I have to do, whether I am in my bathroom or whether I am in the most expensive studio in the world. Rune had worked on a few things with Gomez. Rune was really keen on working with him. He had a really strong opinion about it, which is fine with me. When we got there and the workflow progressed it became obvious that that was a very good choice. I like Gomez’s style. In a strange way he is kind of old school, because everything is very analog. There’s not a lot of computer tricks, everything was recorded very natural. No guitars re-amped, no chopping the drums and sampling and replacing everything, like a lot of the more modern stuff is, we didn’t do any of that. He is really good and he is a hell of a guy too, we get along well.

How did you guys come up with the bandname VLTIMAS? What does it stand for?
Actually that was my idea. It’s not really a word, but it encompasses the flavor of where we are all at. It’s a gathering of ultimates, if you wish.

I noticed you used two latin songtitles (‘Praevalidus’ and ‘Diabolus Est Sanguis’), just like the last Morbid Angel album ‘Illud Divinum Insanus’ had ‘Omni Potens’ and ‘Profundis-Mea Culpa’. What do you find so intriguing about Latin songtitles?
I enjoy taking liberties with language. I make up words. There is not necessarily a reason to it other than that it is an ancient and for all intents and purposes a dead language. But it’s not dead, in contrary. I like to tip my hat to the grandeur of old, to a degree.

How important are the lyrics for you, do they send out a message? What are they about?
The lyrics are very important to me because I am bearing my soul. Everything is pure emotion and it always has been. I am speaking in a lyrical way, it’s my commentary on life. I don’t spell out songs, but I certainly encourage people to read and learn an awful lot about me when they do.

The second single you released just recently was a lyric video for the song ‘Total Destroy!’ From my understandings it is about humanity destroying the world and nature trying restore the balance, is that correct?
That’s very close, it’s the misanthropy part of it that works. People are concerned that we are destroying the planet. The planet has the ability to destroy us. There will  be a day of reckoning coming and I welcome it. This song is about that welcoming. Earth will do it whether we like it or not. Not everything is up to us. We fancy ourselves as humans that we are above everything, but we’re really not. I mean viruses and disease are way above us. We don’t want to admit it, but that is the truth.

The cover artwork for the album looks really wicked and is a very detailed and impressive piece of art, which will undoubtedly look really great on a vinyl album cover. Was this artwork specifically designed for the album?
It was created by renowned Polish artist Zbigniew M. Bielak (Ghost, Paradise Lost). We gave him some ideas, but the main thing is that we sent him the songs and the lyrics and we wanted his interpretation as an artist, what did he get from that and this is what he came up with. It’s always better that way I think. It took him a long time, he spent months and months on it. I can’t wait to see it that big. I don’t want to see it on a computer screen, I want to see it on a poster that’s five meters square.

It’s great to see that VLTIMAS is not only a studio project, but you are taking the band on stage as well. I see you have shows lined up for Wacken Open Air, Hellfest and Tons of Rock. Are you excited to present this material live? And will there be a proper tour for the album?
People have said to me ‘oh another project’. I guess anything that you work on is a project, but this is not a project band, this is a real band that will be taking a lot of priority. It is our plan to do a proper tour. We’ve been writing songs. We are virtually ready to go in and record the next record already. I mean, we’re not doing that, but we could. We could go in and start working on another record tomorrow. We have a lot of music and we have a lot of art that we want to share and I would love to tour as much as possible, but it has to make sense. It’s a good start to do some festivals and look for the types of tour that will allow us to express ourselves the way we want to.

Do you think VLTIMAS could become more successful than Morbid Angel, Cryptopsy or Aura Noir at the moment? And would it be possible for VLTIMAS to become your main band for the years to come??
I think it could. It’s all about doing it and making it happen. That’s exactly our intent. To do it and make it happen.

All three of you have other successful bands as well, and Cryptopsy is probably the one of them touring the most. How will that work out, should VLTIMAS really lift off after the release in March?
Well, does Flo need to let Cryptopsy go? Does anybody need to let anything go? I don’t think so. But we’ll see when the time comes. I know that Flo is 100 percent committed to this, as am I, as is Rune. I’m seeing four, five, six albums, no problem, unless I get hit by a car tomorrow.

VLTIMAS is a perfect blend of apocalyptic death metal mixed with modern black metal and it’s good to see that you are still very much into extreme metal. What music do you listen to nowadays? Which releases have made an impact on you lately?
Recent stuff? You know, I mean things come down the pipe, people share various different things with me. Much of it I am not super impressed with, unfortunately. I always like it when somebody plays something for me that I really like. Unfortunately that’s few and far between. So I always for whatever reason go back to some of the old stuff that still moves me in the same wat that it did when I first heard it as a kid. So in terms of new stuff, I really don’t know. I like making music, I don’t like anything as much as what I do myself, let’s put it that way.

’Something Wicked Marches In’ will be released at the end of March, so that’s another two and a half months to go. What can we expect from VLTIMAS after the album is released?
As you mentioned earlier we have some festivals coming up and we’re looking forward to continuing VLTIMAS. We want to play, we want to share the music with people. So we are actively looking at different opportunities right now. But there is no experience like a live experience, which is a different experience than listening to the record. I, for one, am very impatient. I wish the record were coming out tomorrow and I wish that I was getting on a plane tomorrow to go to the first festival, but that’s not the case, so I have to be patient. Really, the record is done, let’s hurry up. But you can’t hurry these things, there scheduling etc. When it comes, it’s gonna come and it’s gonna come very hard!

Ok, that sums it up, thank you for this interview David, it was a pleasure talking to you
Thank you too, and thank you for the support. I always enjoy talking to people who are interested in music you know. So far the response to just a couple of singles we have released has been really good. We’ll see where we’ll go from here. Everything has been so positive, which I am not used to that. Usually that must not be the case, It’s been very positive, overwhelmingly positive, so I guess that’s a good sign.