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GHOST's TOBIAS FORGE: “'Satanized' is a song about being in love”

10-03-2025

In a new interview with Meltdown of Detroit’s WRIF radio station, GHOST mastermind Tobias Forge spoke about the band’s new single “Satanized”, which came out earlier this week. The track is taken from GHOST‘s upcoming album, “Skeletá”, which will arrive on April 25 via Loma Vista Recordings. “Yeah, it’s a fun video and it’s a upbeat, fun track,” Tobias said: It’s a song about being in love and how that can potentially be mistaken as demonic possession, but in reality this song has nothing to do with demonic possession.”

Asked why he picked “Satanized” to be the first single from “Skeletá”Tobias said: “It’s funny because as I was making the record, I didn’t really put much like regard into trying to write… Of course, as a songwriter, you always try to write as good songs as possible, but there wasn’t a whole lot of, like, ‘Oh, I’m gonna write a hit song.’ So I was more interested in sort of making a bunch of songs that I was gonna put cohesively into an understandable and entertaining album. And wise with experience over the years where I’ve delivered records to the people that work with me, and I’m, like, ‘This is the song. This is the single. This is the hit.’ And more than often, it ends up being, like, ‘Oh, no. We believe in that song instead.’ Okay. So finally I’ve sort of given up a little bit on that. So I just sort of gave the record and I’m, like, ‘You guys choose what you wanna do.’ And then I’m sort of holding my thumb a little, crossing my fingers, hoping that that maybe they they’ll hear what I hear. And to my big surprise, they came back with ‘Satanized’. And I was, like, ‘I couldn’t be happier. I have a really funny video idea for that one. I never thought that you would go for that one,’ simply because it’s like…”

He continued: “To me, I am a huge fan of ’70s music. That’s a very simplified way of saying that, but I’m a big fan of SCORPIONS from the ’80s, but also the SCORPIONS from the ’70s, which sometimes, I guess, a certain age group might not be aware that that SCORPIONS was a band in the ’70s, and they released several records. Those records are a little bit different from the ’80s records, when they sort of became a ’80s hit rock band. And ‘Satanized’ definitely had more of a SCORPIONS ’77 stomp that I really liked about the track. And somehow, therefore, I guess, I wasn’t like putting that as a hit-single fan favorite, or a favorite that way. I thought I was gonna work my magic to make that song a big song, the same way that we did with ‘Mary On A Cross’ once upon a time, when that was regarded as this ‘B’ track that was just for fun. And I was, like, ‘I think that that song is actually quite good. We’re gonna play it every show we’re playing.’ And it took years before it became what that became.”

Circling back to the fact that his record company seemingly had the same vision for “Satanized” as he did in terms of the song’s potential, Forge said: “I was overwhelmed and overjoyed with the synchronicity, because I have done that mistake before where I have conceived a record, conceived a track, have an idea for a video for a track, and then the powers that be want another kickoff. And then that leads to a discussion, and then more than often, the reasoning as to why you go with another track might be perfectly understandable, but all of a sudden my idea is just not worth the piece of paper it’s written on, because it simply doesn’t work if it’s not in a… Sometimes the crux of being conceptual, sometimes your ideas are simply too conceptual and too based on presentation and stars aligning. But in this case, we ended up with fluency, which was cool.”

“Satanized” was described in a press release as “an avalanche of infectious hooks and harmonies is buoyed by a hypnotic shuffle, as the narrator succumbs to dark forces within and without, helplessly acknowledging their own blasphemy and heresy as it inexorably consumes them.” By the time the song’s opening lines “There is something inside me and they don’t know if there is a cure” have moved from the inner monologue of the possessed to the ears of the hapless listener, it will already be too late: You will have been “Satanized”.

The “Satanized” music video introduces the new character who will be fronting GHOST for its 2025 touring cycle: Papa V Perpetua.

GHOST has also launched an interactive element dubbed The Satanizer, a first-of-its-kind music video experience for fans who wish to be “Satanized.” Developed in partnership with Jason Zada (Elf Yourself),The Satanizer will morph its users into characters featured in the song’s melodramatic video. With a quick upload of your photo, The Satanizer will send out a personalized music video clip featuring the participant, who can in turn share via social media that they too have been “Satanized.”

“Skeletá” track listing:

01. Peacefield
02. Lachryma
03. Satanized
04. Guiding Lights
05. De Profundis Borealis
06. Cenotaph
07. Missilia Amori
08. Marks Of The Evil One
09. Umbra
10. Excelsis

Papa V Perpetua‘s name was initially listed as one of the performers for BLACK SABBATH‘s final concert, set to take place on July 5 at Villa Park in Birmingham, United Kingdom.

GHOST also confirmed the singer’s participation at the Villa Park event in a social media update, writing: “We wish to inform you V is coming… To Birmingham on July 5th.”

GHOST mastermind Tobias Forge performed as a “new” Papa Emeritus on each of the band’s first three LPs, with each version of Papa replacing the one that came before it. Papa Emeritus III was retired in favor of Cardinal Copia before the release of 2018’s “Prequelle”. In March 2020, at final show of GHOST‘s “Prequelle” tour in Mexico City, Mexico, the band officially introduced Papa Emeritus IV, the character who fronted the act for its “Impera” (2022) album phase.

Asked in a 2019 interview with Full Metal Jackie‘s nationally syndicated radio show how those different identities empower him as a performer, Forge said: “Speaking just for myself, I know that coming out onstage as another character, looking different, acting different, definitely allows for you to act and behave in a way that you wouldn’t normally do. This can be both traumatic and also therapeutical in away.

“Even though it’s been a long time since I practiced any sort of martial arts, I almost feel similar to myself back then, like after karate class. I did all kinds of things. I did judo, jiu-jitsu, tae kwon do and karate. After you are sort of cleansed from any sort of violent urges that you had. And in a way, I feel that way. Especially now when we play on our regular nights. When we play that long, any inkling that you have of wanting to dance and rock out is sort of over when you come off stage, which is very nice.

“One of the luxuries of being able to dress up for it and become a different character is that as soon as I am not that character anymore, no one expects me to behave the way that the character does onstage,” he added. “No one expects me to be that way offstage. There’s been a great handful of rock artists that have had a big problem differentiating themselves from their character onstage. And that leads to a lot of potential problems.”

As previously reported, GHOST will embark on a world tour in 2025. The European leg of the trek will kick off on April 15 in Manchester, United Kingdom and conclude on May 24 in Oslo, Norway. The North American leg of GHOST‘s 2025 tour will launch on July 9 in Baltimore, Maryland and wrap up on August 16 in Houston, Texas.

The physical home video of GHOST‘s worldwide Top 10 box office smash feature film debut “Rite Here Rite Now” was made available on December 6, 2024.

GHOST world tour 2025 dates:

Apr. 15 – Manchester, UK – AO Arena
Apr. 16 – Glasgow, UK – OVO Hydro
Apr. 19 – London, UK – The O2
Apr. 20 – Birmingham, UK – Utilita Arena
Apr. 22 – Antwerp, BE – Sportpaleis
Apr. 23 – Frankfurt, DE – Festhalle Frankfurt
Apr. 24 – Munich, DE – Olympiahalle
Apr. 26 – Lyon, FR – LDLC Arena
Apr. 27 – Toulouse, FR – Zénith Toulouse Métropole
Apr. 29 – Lisbon, PT – MEO Arena
Apr. 30 – Madrid, ES – Palacio Vistalegre
May 03 – Zürich, CH – Hallenstadion Zürich
May 04 – Milan, IT – Unipol Forum
May 07 – Berlin, DE – Uber Arena
May 08 – Amsterdam, NL – Ziggo Dome
May 10 – Lodz, PL – Atlas Arena
May 11 – Prague, CZ – O2 Arena
May 13 – Paris, FR – Accor Arena
May 14 – Oberhausen, DE – Rudolf Weber-ARENA
May 15 – Hannover, DE – ZAG Arena
May 17 – Copenhagen, DK – Royal Arena
May 20 – Tampere, FI – Nokia Arena
May 22 – Linköping, SE – Saab Arena
May 23 – Sandviken, SE – Göransson Arena
May 24 – Oslo, NO – Oslo Spektrum
Jul. 09 – Baltimore, MD – CFG Bank Arena
Jul. 11 – Atlanta, GA – State Farm Arena
Jul. 12 – Tampa, FL – Amalie Arena
Jul. 13 – Miami, FL – Kaseya Center
Jul. 15 – Raleigh, NC – Lenovo Center
Jul. 17 – Cleveland, OH – Rocket Mortgage FieldHouse
Jul. 18 – Pittsburgh, PA – PPG Paints Arena
Jul. 19 – Philadelphia, PA – Wells Fargo Center
Jul. 21 – Boston, MA – TD Garden
Jul. 22 – New York, NY – Madison Square Garden
Jul. 24 – Detroit, MI – Little Caesars Arena
Jul. 25 – Louisville, KY – KFC Yum! Center
Jul. 26 – Nashville, TN – Bridgestone Arena
Jul. 28 – Grand Rapids, MI – Van Andel Arena
Jul. 29 – Milwaukee, WI – Fiserv Forum
Jul. 30 – St. Louis, MO – Enterprise Center
Aug. 01 – Rosemont, IL – Allstate Arena
Aug. 02 – Saint Paul, MN – Xcel Energy Center
Aug. 03 – Omaha, NE – CHI Health Center
Aug. 05 – Kansas City, MO – T-Mobile Center
Aug. 07 – Denver, CO – Ball Arena
Aug. 09 – Las Vegas, NV – MGM Grand Garden Arena
Aug. 10 – San Diego, CA – Viejas Arena
Aug. 11 – Phoenix, AZ – Footprint Center
Aug. 14 – Austin, TX – Moody Center
Aug. 15 – Fort Worth, TX – Dickies Arena
Aug. 16 – Houston, TX – Toyota Center
Sep. 24 – Mexico City, MX – Palacio de los Deportes

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