Earlier this month, Max told Zippo Encore‘s “Art Of Rock” livestream series: “It’s so cool that we have amazing friends like Dino in the industry. That you can call Dino up and he’s available. So it’s just really great… Touring with him last year was so much fun, man, because Dino… We grew up together. I was a huge FEAR FACTORY fan. I helped them get signed to Roadrunner. And then, of course, he plays on ‘Eye For An Eye’ on the first SOULFLY album; he plays guitars on it. So when we invited him to do that tour, it was a perfect match. And the fans, they lost their shit. It was so cool. Sometimes I would stay on the bus and I’d watch Dino get out of the bus and he’d just get mobbed; 10 kids would just surround him. I was, like, ‘Oh, this is cool, man. This is what’s up. This is some true metal shit right here.'”

In August, SOULFLY parted ways with longtime guitarist Marc Rizzo due to personal differences. He later told “The Ex-Man” podcast about the circumstances that led to his exit from the band: “I definitely was putting in more than what I was getting out, obviously, and I think the fans have recognized that. They see the live show turned into that, the records turned into that. It’s pretty obvious what was going on. I’ve got hundreds of fans writing me every day understanding online here. It is what it is. It’s the politics of the band. It’s Max‘s band — that’s definitely his thing. Was I doing more as the years went on? Absolutely. And, obviously, you can see that in live shows.”

Marc went on to say that his working relationship with SOULFLY simply “ran its course. Honestly, I think I stayed too long,” he said. “I probably should have quit — I wanted to quit about five or six years ago. That’s when things, in my opinion, just started to go downhill. There’s a lot of things that are just obvious, again, if you watch the live show that I’m not even nitpicking about — the fans are talking about. If you go to any message board, the fans always talk about the same things about the live show. I think five or six years ago, I really probably should have split. But I felt bad, and I felt I had some loyalty to everybody and I didn’t wanna leave everybody hanging. Obviously, I had a major part in the riffing in the live show and on the records. But, thankfully, everything went down the way it did. COVID opened my eyes to a lot of things, and I’m in a way better place now.”

In August, Max told Metal Kaoz that Marc has been spewing out “lies and bullshit” in some of his recent interviews regarding his departure from SOULFLY. “All these accusations — it hurts,” he said. “It hurts to hear. After everything that we did for him, which was a lot — we put him on all the records and always took really good care of him, always really, really gave good treatment to him. To hear him backstabbing us like that, it’s just not nice. He’s obviously trying to get fans to be against me and make him the victim… It just sucks to hear all that. It definitely hurts me when I hear all these accusations that I know are lies and bullshit; it’s all fabricated by his crazy mind. I don’t know. It’s a strange situation.”

He added: “I don’t want to turn this into an ugly thing. I don’t wanna talk bad about him; I really don’t. Of course I don’t like those accusations, and it’s bullshit, but he has the right to say whatever. But I think we treated him really good through all those years. We put him on the map pretty much. When he joined the band, not many people knew him. Just a little bit of gratitude would have been nice. Because even on ‘Max Trax’ (Cavalera‘s twice-weekly Internet video series in which he discusses the inspiration for many of the songs spanning his nearly 40-year music career), when I mentioned that I fired him, I thanked him for the 18 years of SOULFLY, and I said good luck on his projects. I’m not bitter. I don’t wanna be a bitter guy.”

Rizzo joined SOULFLY in 2004, and has since appeared on all of the band’s subsequent records, including “Prophecy” (2004), “Dark Ages” (2005), “Conquer” (2008), “Omen” (2010), “Enslaved” (2012), “Savages” (2013), “Archangel” (2015) and “Ritual” (2018). In 2007, Rizzo became a member of CAVALERA CONSPIRACY, the side project of SEPULTURA co-founders, brothers Max and Igor Cavalera, and has performed on all CAVALERA CONSPIRACY releases including “Inflikted”, “Blunt Force Trauma”, “Pandemonium” and the critically acclaimed 2017 LP “Psychosis”.

Max and his bandmates have spent the last few months working on the follow-up to 2018’s “Ritual” at Platinum Underground in Phoenix, Arizona with producer Arthur Rizk, who has previously worked with CAVALERA CONSPIRACY, POWER TRIP and CODE ORANGE.