In a new interview with Noise11‘s Paul Cashmere, legendary German guitarist Michael Schenker, who is currently promoting his upcoming album “My Years With UFO”, celebrating the 50th anniversary of Schenker‘s years with UFO, discussed some of his other yet-to-be-released recording projects. He said: “So I went into the studio in June ’23. I wrote all the songs. I mean, of course, the UFO album was already written, but the MSG, MICHAEL SCHENKER GROUP album, and the next (Michael Schenker) album, I wrote the music. The second album was supposed to be an electric, like an instrumental album. And the reason was I wanted to make three albums in one go to let the people know what I’ve done in the last 50 years. So I did UFO, I did MSG and I did an acoustic or electric album and both instrumental music. So after we finished with ‘My Years With UFO’, I started putting down my guitars for the MSG album, which is gonna be called ‘Don’t Sell Your Soul’. And it’s with (former SKID ROW frontman) Erik Grönwall singing most of the songs, Robin McAuley singing, and Michael Voss, my co-producer, he’s also singing. And then I did the instrumental album. As I was putting down my guitar, my composition, the instrumental part, Michael Voss kept singing, and I went, like, ‘Michael, this sounds really good. I think we should turn this into a vocal album,’ and have, like I used to do with UFO, ‘Belladonna’ and ‘Love To Love’, all of these songs used to be instrumental songs. And then they turned into vocal songs. And so we invited Herman Rarebell from the SCORPIONS, ex-drummer. And so this album is like now one of my favorite albums. It turned into this amazing album. Somebody had the idea to tune it to a 432 (Hz) instead of 440 (Hz), which is the same tuning as ‘Dark Side Of The Moon’, PINK FLOYD. And we added this, we added that, and it was like building a house. All of a sudden, I was shocked what came out of it. And people will be shocked when they hear this album because they will not believe what they’re hearing. And it’s called ‘Freedom Of Expression’.”