KISS's 'I Was Made For Lovin' You' video surpasses one billion views on YouTube
05-02-2026
KISS‘s “I Was Made For Lovin’ You” music video has officially topped a billion views on YouTube.
The band announced the milestone on social media, writing: “The numbers speak for themselves. This one still dominates. IWMFLY baby!!”
Last summer, Paul Stanley revealed that “I Was Made For Lovin’ You” is the “biggest” KISS song of all time.
On August 26, 2025, the now-74-year-old KISS guitarist/vocalist, who co-wrote “I Was Made For Lovin’ You” with Desmond Child and Vini Poncia, took to X to write: “THE BIGGEST KISS SONG OF ALL TIME IS… ‘I Was Made for Lovin’ You’ with 1.3 BILLION total streams on Spotify as of late August and approximately 850 THOUSAND daily streams!! Amazing and THANK YOU!”
Seven years ago, Child said he was hurt when KISS publicly badmouthed “I Was Made For Lovin’ You”.
Although “I Was Made For Lovin’ You” was a huge chart success for KISS 40 years ago, it was maligned by many of the group’s fans who didn’t appreciate the track’s disco beat.
During an appearance on the “Talk Is Jericho” podcast, Child said that he wrote “I Was Made For Lovin’ You” with Stanley after befriending the KISS frontman in the late ’70s.
“I was experimenting then with a drum machine, and the idea of having dance beats with rock had occurred to me,” Desmond recalled. “So I kind of hoodwinked him into this idea of four-on-the-floor dance beat with these heavy guitars. Gene (Simmons, KISS bassist/vocalist) never bought it — he never liked it, and he still doesn’t.
“I remember when they made a record — I think it was (1981’s) ‘(Music From) ‘The Elder” — and they started doing hundreds of interviews saying, ‘Well, this time, we’re putting guards in front of the door to keep Desmond Child out,'” he continued. “And I was so hurt. I called Paul and I said, ‘Paul, why don’t you criticize your enemies, not the friends that put money in your pocket?’ And he says, ‘Well, you know, that’s Gene — it’s not me.’ So, the next day I came home and there was a message on my answering machine. And it was, like, ‘Hi. It’s Gene. Sorry.’ And he hangs up. (Laughs) That was his apology.”
According to Child, he and Simmons eventually reconciled. “After all these years, he’s been an amazing friend and supporter and, actually, mentor,” Desmond said.
“I Was Made for Lovin’ You” originally appeared on KISS‘s 1979 album “Dynasty”. It was released as the A-side of their first single from the album. It was the band’s second gold single, selling over 1 million copies. The single reached No. 11 on the U.S. Billboard singles chart. The song also became a Top 10 hit in Australia, reaching No. 6 on the ARIA charts in 1979. The song fared the best in Western Europe (Where it became a Top 20 hit in Sweden, a Top 10 hit in Norway, made it to the No. 2 position in France, Germany, Switzerland, and Austria, and in Holland it became a No. 1 smash).
In 2018, Simmons said that he hated performing “I Was Made For Lovin’ You” because he is forced to sing like his grandmother. Asked in an interview with OK! magazine to name a song that he wasn’t initially crazy about that ended up becoming a hit, Gene said: “Well, Paul Stanley comes in and he says, ‘Did you write any songs?’ I go, ‘Oh, yeah. I’ve got one called ‘Almost Human’.’ ‘Yeah? How does it go?’ ‘I’m almost human. I can’t help feelin’ strange.’ ‘Yeah, that’s cool. That’s a Gene song.’ ‘How about you, Paul?’ He goes, ‘I’ve got one. It goes)’Tonight.” “Ooooh. That’s cool. What’s the next line?’ ‘I’m gonna give it all to you.’ ‘Oh, yeah. I know what ‘it’ means — I know exactly what you mean.’ ‘In the darkness.’ (Claps) ‘Love that!’ ‘There something I wanna do.’ ‘Yeah, I know what that ‘something’ is. Wow! That’s a cool song. Okay, what’s my part?’ (Sings) ‘Do, do, do, do, do, do, do, do, do.’ ‘You’re killing me. Really? I’m gonna sing like my grandmother?’ (Sings) ‘Do, do, do…’ I hate playing that song to this day. Stadiums full of people jump up and down like biblical locusts — they go nuts — with tattoos and grills on… ‘Ahhhh!’ They’re all jumping up and down, and I’m going, ‘Do, do, do, do, do, do… Kill me now.’ Still — still to this day I hate that song.”
After the female interviewer pressed him on whether the song ever grew on him after performing it for the last four decades, Gene said: “Well, how about you sing that song? You’re a girl. I wanna sing guy stuff.”
Stanley admitted in 2017 that the success of “I Was Made For Lovin’ You” was “a double-edged sword, because it became such a massive hit but it was also so contrary and contradictory to what we had done before.” He added: “The funniest thing is when we do festivals sometimes in Europe where it’s very much… the bands are quite heavy, well, when we do an encore of ‘I Was Made For Lovin’ You’, you suddenly have all these people with spikes in their eyeballs or bones through their noses singing along. So it’s a song that seems to transcend everything — although it went through a period, certainly, of a big backlash against it.”
Founding KISS members Paul Stanley and Gene Simmons have recently been announced as 2026 inductees into the Songwriters Hall Of Fame.
Along with fellow musical icons Walter Afanasieff; Terry Britten and Graham Lyle; Kenny Loggins; Alanis Morissette; Christopher “Tricky” Stewart; and Taylor Swift, Stanley and Simmons will become the latest inductees of the Songwriters Hall Of Fame at the organization’s 2026 induction and awards gala.
The star-studded event is slated for Thursday, June 11 at the Marriott Marquis Hotel in New York City, and will not be open to the general public. Additional special award honorees will be announced soon.
Songwriters Hall Of Fame chairman Nile Rodgers commented: “The music industry is built upon the incredible talent of songwriters who create unforgettable songs. Without their artistry, there would be no recorded music, concert experiences, or engaged fans. Everything originates from the song and its creator. We take great pride in our ongoing commitment to recognizing some of the most culturally significant composers in history. This year’s lineup not only showcases iconic songs but also celebrates unity across various genres. These songwriters have profoundly impacted the lives of billions of listeners worldwide, and it is our privilege to honor their contributions.”
Established in 1969, the Songwriters Hall Of Fame (SHOF) serves as a vital bridge between music’s past and future. In the Hall, musical pioneers are enshrined and celebrated, while the organization’s outreach to the music community grooms the next generation of troubadours. To qualify for induction, a songwriter with a notable catalog of songs qualifies for induction 20 years after the first commercial release of a song.
Stanley and Simmons‘s induction into the Songwriters Hall Of Fame was announced on Wednesday, January 21, on “CBS Mornings”, as well as the Songwriters Hall of Fame web site.
The Songwriters Hall Of Fame singled out the KISS songs “Rock And Roll All Nite”, “I Love It Loud”, “Calling Dr. Love”, “Shout It Out Loud” and “Christine Sixteen” as key works in Stanley and Simmons‘s catalog.
The Songwriters Hall Of Fame inducted its first class of songwriters in 1970.
Stanley and Simmons were inducted into the Rock And Roll Hall Of Fame with the rest of KISS‘s original lineup in 2014.
Last December, the surviving members of the original lineup of KISS were among the 2025 Kennedy Center honorees who were presented with their medals by U.S. president Donald Trump during a ceremony in the Oval Office on Saturday, December 6.
Other recipients this year are actor Sylvester Stallone, singers Gloria Gaynor and George Strait and actor-singer Michael Crawford.
Trump praised this year’s honorees as “perhaps the most accomplished and renowned class of Kennedy Center honorees ever assembled.”
Before presenting KISS members Gene Simmons, Paul Stanley and Peter Criss, along with the late guitarist Ace Frehley‘s daughter Monique, with their medals, Trump called KISS an “incredible rock band” and acknowledged Ace, “who now is resting in peace”, adding that the guitarist’s “beautiful daughter is here to accept the award.”
According to Billboard, Ace became only the third person to receive a Kennedy Center Honor posthumously, following two other group members who likewise died after the groups’ awards were first announced: Glenn Frey of EAGLES and Phil Lesh of GRATEFUL DEAD.
The day of Frehley‘s passing, Simmons, shared a touching statement reflecting on the guitarist’s impact and the Kennedy Center Honor.
“Our hearts are broken. Ace has passed on,” Gene wrote. “No one can touch Ace‘s legacy. I know he loved the fans. He told me many times. Sadder still, Ace didn’t live long enough to be honored at the Kennedy Ctr Honors event in Dec. Ace was the eternal rock soldier. Long may his legacy live on!”
Trump announced the honorees in August during a press conference at the performing arts center.
(Video courtesy of the official The White House channel on YouTube)
When KISS‘s Kennedy Center Honor was first announced, Simmons told TMZ: “KISS is the embodiment of the American Dream. We are deeply honored to receive the Kennedy Center Honor.”
Stanley added: “From our earliest days, KISS has embodied the American ideal that all things are possible and that hard work pays off. The prestige of the Kennedy Center Honors cannot be overstated and I accept this on behalf of the long legacy of kiss and all of the band members who helped create our iconic band.”
Frehley, meanwhile, called the Kennedy Center Honor “a dream come true that I never thought would materialize.”
Criss kept his statement simple, saying: “I feel so blessed. This is the greatest honor of our career.”
During his first term, Trump seemingly paid no attention to the Kennedy Center, often skipping the honors ceremony. He has since vowed to transform the marquee arts center, first ousting its leadership board, then filling the board of trustees with his loyalists.
In September 2020, Frehley called Trump “the strongest leader that we’ve got.” Two years earlier, the original KISS guitarist also expressed his support for America’s 45th president during an appearance on the “Juliet: Unexpected” podcast. At the time, he said about Trump: “Whether you love him or hate him, if you’re an American and you’re a patriot, you should get behind your president. He was elected. We live under the Constitution of the United States, and you’re supposed to support your president. Love him or hate him, you’re supposed to support him, or go move to another country.
“Being American, we have the right to free speech, and I’m all for everybody putting their two cents in on everything,” he added. “But when musicians or actors get really verbal and jump on a bandwagon against our government, I don’t agree with that.”
Throughout its 47-year history, the annual Kennedy Center Honors Gala has become the highlight of the Washington cultural and society calendar. On Sunday, December 7, in a star-studded celebration on the Kennedy Center Opera House stage, the 48th class of Kennedy Center honorees will be saluted by today’s leading performers from New York, Hollywood and the arts capitals of the world. Seated in the Box Tier of the iconic Kennedy Center Opera House, the honorees will accept the recognition and gratitude of their peers through performances and tributes. The 48th Kennedy Center Honors Gala concludes with a post-performance party in the Grand Foyer.
The Kennedy Center Honors recognizes and celebrates individuals whose unique artistic contributions have shaped our world. Recipients have each had an impact on the rich tapestry of American life and culture through the performing arts. Whether in music, dance, theater, opera, motion pictures, or television, each Kennedy Center honoree has a unique place in the fabric of our nation and their influence has inspired audiences from all walks of life.
The honoree selection process includes solicitation of recommendations from former honorees, the artistic community, the Kennedy Center board of trustees, and the general public. This year’s selected honorees were chosen based on the recommendation of the Center’s special honors advisory committee.
In a six-minute video, KISS‘s Paul Stanley and Gene Simmons unbox the “Alive!” 50th-anniversary super deluxe box set, taking fans on a walk down memory lane on the making of the record that catapulted the band into worldwide success.
KISS‘s “Alive!” turns 50 in 2025 — a golden jubilee for the iconic live album that catapulted the band and revolutionized live albums for the music industry from end-of-career obscurity into career-defining mainstream success. Often revered as one of the greatest live albums ever by countless music journalists, “Alive!” is celebrated with a Super Deluxe 180-gram 8-LP + Blu-ray Audio boxset showcasing 120 total tracks amplified with 88 unreleased tracks. LPs 1 and 2 feature the original album newly remastered by Bernie Grundman from the original 1975 stereo analog master tapes. LPs 3 through 6 showcase two full-length concerts from the 1975 “Dressed To Kill” tour — RKO Orpheum Theatre in Davenport, Iowa on July 20, Second Show and Wildwood Convention Hall in Wildwood, New Jersey on July 23 — newly mixed by legendary producer and engineer Eddie Kramer from the original multi-track analog tapes as KISS performed in 1975, with no overdubs. Bonus tracks on LP 7 and 8 include five rehearsal tracks at the Davenport gig including an impromptu jam and an additional six songs from Cleveland Music Hall, Cleveland, Ohio on June 21, 1975, all newly mixed by Eddie Kramer from the original multi-tracks. The Blu-ray Audio disc features “Alive!” newly mixed by Eddie Kramer from the original album multi-track analog tapes in Dolby Atmos and 5.1 surround along with the newly remastered stereo in 192kHz 24-bit and 96kHz 24-bit PCM stereo set to a brand-new visualizer featuring a treasure trove of unreleased live photos.
The Super Deluxe explodes further with an extensive array of bonus kollectibles including:
* 100-page hardcover book with extensive liner notes by Ken Sharp featuring new interviews from Paul Stanley, Gene Simmons and many notable “Alive!”-era KISS team members plus tons of unreleased photos and rare imagery.
* “Alive!” 1975 press kit featuring
– Press Release
– Four Black & White Glossy Photos 7.5″x10″
– Marketing Slick Sheet
– “Alive!” Tour Program
– “Alive!” Back Cover Fan Banner Poster
– Album Cover Lenticular
– T-shirt Iron-on
– Four Live Color Glossy Photos
– Peter Criss Drum Head Litho
– Wildwood Concert Poster 20″x28″
– Cleveland Concert Mini-Poster 10″x17″
– Cobo Arena Concert Main Floor Ticket Stub
– Wildwood Concert Ticket Stub
– Cleveland Concert Ticket Stub
– Cobo Arena Concert Backstage Pass
– New Year’s Eve – Nassau Backstage Pass
– Four Double-Sided Coasters
– Four Guitar Picks
– Bumper Sticker 8″x2.5″
– “Alive!” Die-Cut Double-Sided Mobile
– Gotham Rock City News Volume 4 Newspaper – Track-by-Track interview with Eddie Kramer of nearly all tracks appearing on the collection
“Alive!” (Remastered)
LP One – Side A:
01. Deuce
02. Strutter
03. Got To Choose
04. Hotter Than Hell
05. Firehouse
LP One – Side B:
01. Nothin’ To Lose
02. C’mon And Love Me
03. Parasite
04. She
LP Two – Side C:
01. Watchin’ You
02. 100,000 Years
03. Black Diamond
LP Two – Side D:
01. Rock Bottom
02. Cold Gin
03. Rock And Roll All Nite
04. Let Me Go, Rock ‘N Roll
Live In Davenport, Iowa – RKO Orpheum Theatre – July 20, 1975 – Second Show*
LP Three – Side E:
01. Deuce
02. Strutter
03. Got To Choose
04. Hotter Than Hell
LP Three – Side F:
01. Firehouse
02. She
03. Ace Frehley Guitar Solo
04. Nothin’ To Lose
LP Four – Side G:
01. C’mon And Love Me
02. 100,000 Years
03. Peter Criss Drum Solo / 100,000 Years
LP Four – Side H:
01. Black Diamond
02. Cold Gin
03. Let Me Go, Rock ‘N Roll
Live In Wildwood, New Jersey – Wildwood Convention Hall – July 23, 1975*
LP Five – Side I:
01. Deuce
02. Strutter
03. Got To Choose
04. Hotter Than Hell
05. Firehouse
LP Five – Side J:
01. She
02. Ace Frehley Guitar Solo
03. Nothin’ To Lose
04. C’mon And Love Me
LP Six – Side K:
01. 100,000 Years
02. Peter Criss Drum Solo / 100,000 Years
03. Parasite
LP Six – Side L:
01. Black Diamond
02. Cold Gin
03. Let Me Go, Rock ‘N Roll
Bonus Live
Rehearsals – Live In Davenport, Iowa – RKO Orpheum Theatre – July 20, 1975*
LP Seven – Side M:
01. KISS Jam
02. Room Service
03. Strange Ways
04. Rock Bottom
05. Watchin’ You
Live In Cleveland, Ohio – Cleveland Music Hall – June 21, 1975*
LP Seven – Side N:
01. She
02. Ace Frehley Guitar Solo
03. Nothin’ To Lose
LP Eight – Side O:
01. C’mon And Love Me
02. 100,000 Years
03. Peter Criss Drum Solo / 100,000 Years
Blu-ray Audio – Alive!
Disc Five:
[Dolby Atmos* / Dolby True HD 5.1* / 192kHz 24-bit & 96kHz 24-bit PCM Stereo]
01. Deuce
02. Strutter
03. Got To Choose
04. Hotter Than Hell
05. Firehouse
06. Nothin’ To Lose
07. C’mon And Love Me
08. Parasite
09. She
10. Watchin’ You
11. 100,000 Years
12. Black Diamond
13. Rock Bottom
14. Cold Gin
15. Rock And Roll All Nite
16. Let Me Go, Rock ‘N Roll
* Previously unreleased



