1914 – interview met Ditmar Kumarberg (vocals)
Hptm. Ditmar Kumarberg: “It is because mostly in Europe people don’t give a fuck about Eastern Front and Ukrainian history in it. They have zero knowledge about it”
De leden van 1914 wonen nog steeds in het Oekraïense vaderland. Dat betekent dat er geen zekerheden zijn en alles zomaar afgeblazen kan worden wanneer we een afspraak vastleggen met de begeesterde zanger en tekstschrijver k.u.k. Galizisches IR Nr.15, Gefreiter, Ditmar Kumarberg. Enkele uren voor ons gesprek werd Lviv namelijk weer heftig gebombardeerd, zodat de elektriciteit uitviel en de schuilkelder de enige optie was. Gelukkig lazen we die ontstellende gebeurtenissen pas achteraf en zaten we braaf te wachten op het geplande tijdstip. En daar was onze gesprekspartner… Het onderscheid tussen historische feiten (teksten gaan over WW I) en de realiteit van het heden verbleekte…
Vera Matthijssens Ι 20 november 2025
In 2021 we had the previous album ‘Where Fear And Weapons Meet’. A lot of things happened for the worse after that. That must have changed your personal life as well. What happened in positive sense and in negative sense after that album release?
When we released ‘Where Fear And Weapons Meet’, we had a lot of plans about touring with this album. The western booking agencies were preparing for us a huge amount of gigs and events, but we lost everything and we had to cancel it, because the full invasion started. Of course it affected us and hit us hard, because you know… it is a war. You cannot be unaffected if you are a Ukraine civilian and stay in the country and do not run away. So a lot of things have actually changed, because you know I am Oberleutnant. I am split with my daughter, during the invasion I sent her to the peaceful Europe, because you know it is not safe here, because every day there are drones, cruise missiles, and so on. That is why all in all three years I haven’t seen my daughter here. We borrowed a lot of our friends. Unfortunately we have a huge military cemetery in our hometown (actually in every town in Ukraine). It is really a huge catastrophe. Our guitar player is now in the army, but we are still alive, so it is not bad at all in these circumstances (chuckles). The whole life has changed, but you know, most people in Europe wonder when I tell them that the war did not start three years ago in 2022. We face war more than eleven years now. It started in 2014 with the Krim peninsula and with de Donbas (Donetsk and Luhansk oblast). The Russians killed a lot of our soldiers in 2015. We live more than eleven years face to face with war and live in it. This invasion is just killing everything, that’s all. Literally every 1914 album was recorded and printed and released during the war.
I admire you because you can go on making music under these circumstances. It might free your mind a bit from the negative feelings…
Nope. Wrong direction, because it is not about freeing my mind, but rather, probably about express everything that I have inside of me, every emotional stuff, like anger, pain, despair, a lot of aggression and everything. I just spit it in the face of the listener doing this album. We have a lot of anger and I try to express it and when we recorded this album: no I cannot switch between music or war, because for example, we even recorded this album without one of our guitar players, because he was in the army and every time drone attacks and blackouts and so on. We had to stop several times in the studio, because there was no electricity. You cannot switch, because… of course we are not in the trenches. In the trenches it is a different situation. You are fighting for your life 24/7, but here, in Ukraine, there is no safe or peaceful place. Forgetting for a few hours about war is impossible, because you have a lot of anger and you try to explain your feelings, you try to explain your emotions during this singing session.
I remember the former time, about ‘Where Fear And Weapons Meet’, you said that this album was still about hope. Hope to survive. What is this album about in essence? Does it have a main emotion?
If the previous one was about the will to survive and hope, this one is about brotherhood. Band of brothers, this strange brotherhood and on the other hand a huge part of love. It is about love. Even if you are listening to this album, you will probably get a lot of lyrics, like I want to embrace my daughter, embrace my wife, I am tired of this, I want to go back home, that is the general line. In the first part of the album, we have a few songs about this blood rage, about imperial war like ‘yes, let us kill our enemies’, about blood rage and of course about brotherhood because everyone is involved in it. But the second part of the album, we call it ‘the doom trilogy’. It is about love, about being tired of this war. I want to go back home, I want to see my daughter, I want to feel a normal life, like regular people. I am tired of the death around me. I have a lot of family who need love and I want to spread it. Yes, this album is about love. And you know what? When I wrote this album, I just used a lot of my personal emotions and a lot of my personal situation and I am just like a bridge. I put my personal feelings into the lyrics. I am not tired of war because I am not a soldier, but I am tired of going to funerals and losing friends, I am tired of being under the shelling every day, and so on. Human brace can adopt and absorb everything. You can even survive North Pole or the hottest place on earth, even under the everyday shelling, but basically in general you will just take it like one big stone which tries to slash you, something like this.
The album starts with ‘War In’ and ends with ‘War Out’, just like the previous one, with music of that time. What happens next?
This album starts with that music, because all the events, all the stories started in 1914 with the story of the imperial soldier from our hometown Lemberg (Lviv) and his war path, his story during this dreadful war. The album finishes with the first historical recording of the Ukrainian anthem and this recording came from 1916. This is the first official recording of the Ukrainian anthems. That is why I placed it in ‘War Out’, because the story begins with this imperial braveness, such as ‘we are all imperial soldiers, let us kill our enemies’. And finishes with ‘I am back in Ukraine, because this is my land and I must protect it and I embrace my daughter’. The finished circle it is. It is about a lyrical hero and he is travelling across everything, during the complete story. In the end he died actually in Ukraine. Everything for him begins in Ukraine and he makes a huge round across the Carpathian mountains, Poland, Italy, France, Austria, Hungary and then back to Ukraine and he died there. The circle is closed.
What is ‘the siege of Przemysl’?
It is a Slavic naming, so probably it could be a little bit complicated to pronounce it (chuckles). For us, for Slavic people, perhaps some Dutch words are impossible. This is the first song and this is the first main battle. For us, Przemysl is located near our hometown Lemberg, around 75 kilometres from here and when the Russians invaded my hometown, all troupes were put out of the way or relocated or retreated, you can use what you want in this case, let us call it retreat and they were relocated in the Przemysl fortress and the huge siege begins. That is why I started with this song, because it was the main and huge battle in the beginning. This blood rage with the first wounded, with the first canons and the shelling and so on, thousands and thousands of dead people, so it affects him. Of course Przemysl’ was the longest siege in the modern war history in the WW I. There were no such longer sieges in the human history. Przemysl Fortress was the third biggest fortress in Europe, after Rotterdam and after Antwerpen. It is the third biggest fort in Europe, that is why they hit hard.
Then we have ‘Easter Battle For The Zwinin Ridge’…
(chuckles) Okay, we in Ukraine, we call it Zwenin or Zwinin (right pronunciation). It is not a huge mountain in the Carpathian mountains near our hometown Lemberg. Actually something like 125 km. It is one hour driving from Lemberg to the Carpathian mountains and one of the epic battles of the WW I. First of all, the reason why I decided to make a whole album about a Ukrainian soldier with a lot of information about the Eastern Front, because mostly in Europe people don’t give a fuck about Eastern Front and Ukrainian history in it. They have zero knowledge about it. Mostly in Europe, you know about Somme, Verdun and Passchendaele and that’s it. I even call it the Verdun trademark. For instance, the Carpathian winter operation, which is our next song, about the winter operation, is one of the biggest battles of the First World War. Not even of the Eastern Front, but of the First World War, if we talk about losses, more than two millions were lost. If you will count, for example Verdun, it is one million. If you read a little bit more about this Carpathian winter operation, you will realize that, from both sides, the most losses were two millions of people. I experienced it, because I am a war archaeologist and every time when I am visiting the Carpathian mountains, you can see the shells and the bombs just lying on the soil and you can pick it up every time.
When I was at school, we were not educated about what happened behind the Iron curtain, so we cannot know… there was nothing taught about the east…
That is why I decided to talk about Eastern Front and talk about the role in it, because two biggest battles of the First World War were located in Ukraine. First the battle we talked about in ‘winter operation’ and the next one – they call it Brusilov offensive’ – if you will read about Brusilov offensive, you will realize that the amount of the dead bodies was more than two and half millions of people, because Russia is enormously barbarian, they did not count their losses and actually in that battle, only Austrian/Hungarian troops were lost, around one and half millions of people and this was a terrible loss for the whole Austrian/Hungarian Empire and they did not ever survive after this. This battle began, or started the collapse of the Austrian/Hungarian Empire.
Südtirol Offensive is mentioned…
This Südtirol Offensive was a parallel battle with the Brusilov battle where the Austrian/Hungarian troops tried to defeat their enemies on the both fronts and they lost the Brusilov offensive, but they got their prize on the Südtirol offensive. In the end it did not help at all the Austrian/Hungarians because they lost everything and the empire collapsed.
Then we have another front, the Isonzo Front…
Isonzo Front was a horrible amount of battles, actually twelve battles on the Isonzo Front and one million people died there, just for this small piece of soil. They just tried to force the river and they died and died in an enormous amount. Why did I decide to sing about the Italian front? Because maybe an enormous amount of Ukrainian troops were serving in the Italian front, because you know, here in Lemberg, we have the mountains and a lot of people from the mountains served in the Austrian/Hungarian Empire and they decided: ‘okay, you have experience with the mountains, so probably it would be okay for you to serve in the mountains on the Austria and Italy front’. That is why many Ukrainian people, even my grand-grandfather and his brother, served in the Austrian/Hungarian army on the Italian front. This is the complete story about one protagonist and the war took him from Lemberg to Przemysl, from Przemysl to the Carpathian mountains, from the Carpathian mountains he was relocated to the Italian front. And from the Italian front captivity and then he ran away from the Austria and went back again to the Ukraine.
Indeed, then we arrive at the second part of the album with a few songs about 1918…
About his being wounded, about his captivity and about run away from captivity indeed.
There are few guests from the outside world on the album. Who is Christopher Scott in ‘Prisoner Of War’?
Christopher is the singer from the American band Precious Death and when I was a teenager, in the middle of the nineties, I found two CD’s from this band. I loved their music and then this band just disappeared in the late nineties. I was just scrolling at Facebook one year ago or so and I saw Precious Death back on track again and making some new material. I was checking again if it was the same band and indeed, it was. I started listening to the band again, because I still have those CD’s and I realized that I still love their music. Then I had the idea of maybe collaborate with him. For me, collaboration is not about some hype or about some media or about some marketing. No; I collaborate with a person who is for me personally important. Like Aaron, for example, from My Dying Bride, because I am a huge fan of My Dying Bride. It is all about doom, black and death metal. So I wrote to Christopher and now he is a Christian preacher in the US. For me, it is just like an idea: ‘ah okay, he is a preacher, so probably he could sing the song about the captivity, because who knows better the human suffering, the soul suffering and the body suffering, because most people in the first world war were Christians. Of course I am not a Christian, but this is my dedication to those times and those people and that is why I decided: okay, the Christian priests which were deep involved in the metal music, he will sing with us and it would be perfectly fit and it gives a lot of depth feelings about this captivity. That is why I decided to collaborate the way like this.
I am also very glad with the song with Aaron Stainthorpe…
The story about Aaron. I wrote the song and it needed clean vocals, because when I wrote the song, and I heard it in my head and I decided: ‘okay, clean vocals, I need powerful and liturgy voices’. It was obvious: liturgy is Aaron. He could do everything in a proper way. He said ‘yes’, for me it was like: ‘wow!’. He makes this song really brilliant and the last one; the third guest, Jerome Reuter, is a huge supporter of the Ukraine. He even wrote a whole album about Ukraine and called it ‘The Gate Of Europe’ and he dedicated a lot of songs to our country. About Mariupol for instance. He is really one of those guys who give enormous support. For me personally, it is a huge honour to collaborate with him, because he is a true friend of the Ukraine. He was the first European singer who performed here in Ukraine in the time of war. He played a few gigs here in 2022. because mostly in Europe, they are still afraid and do not play there, but Jerome said: ‘war is okay, I need to support the people with my music’ and he sent the merchandise and donated all the money from merchandise to the Ukraine, that was an enormous support. That is why it is for me personally the most important collaboration, because it is about true support. Even the name of the album ‘Viribus Unitis’ is translated like ‘with united forces’. United forces mean collaborate together. Only if we will be united, the Baltic countries, the Poland, the Finns, the whole Europe will be united. Together we can defeat the enemy, because our enemy is still the same, it is the imperialistic, totalitarian system which tries to kill our freedom and tries to kill democracy and everything about your personal faith and freedom. They try to kill it and they try to put you in prison or in a concentration camp if you have a different point of view. For example, if you are gay, in Russia they will send you to the concentration camp or kill you. If you have a different political view, you will be in prison. It is horrible, the same as in Hitler’s period. With Mussolini, with Hitler, and so on. That is why we are resisting hard, because we are against imperialistic and fascist scum.
There are several musical developments as well. The backbone remains black, death and doom, but we have also more melodic guitar leads this time, more orchestral layers and more clean vocals…
We even used a male choir a few times.
Do you think it will be possible to leave the country and play some gigs?
I don’t know. I still hope, but it depends on the situation, you know. We have the bureaucracy, because we have tons of papers to fill in, an enormous amount of bureaucracy stuff and so on, but it will even depend on the situation on the front. If the front is okay, we can leave the country for a few gigs and we will drop some money and everything that we can earned from the gigs will be back to the Ukraine and we will donate it to the army, so that is why we are touring right now and I hope we will be able to tour next year to bring a lot of donations to our army.
What can you tell about the artwork?
For the main cover, we still collaborate for the third time, with Vladimir ‘Smerdulak’ Chebakov, the same artist from the Czech Republic. So he prepared the visuals from ‘The Blind Leading The Blind’ and then he prepared the visuals for ‘Where Fear And Weapons Meet’ and now we collaborated for this album and I am totally happy with this, because he is a great artist. You see these united forces. The death and the angel are standing together like one witness of a huge crime, they are together. Unity is essential for us.



